Music
Apocalypse chic: Autechre, Last Days and Southbank's Xenakis day reviewed
It was so dark, my friend noted, you could have had sex or done a Hitler salute. No stage lights,…
Apocalyptic minimalism: Carl Orff's final opera, at Salzburg Festival, reviewed
‘Germany’s greatest artistic asset, its music, is in danger,’ warned The Spectator in June 1937. Reporting from the leading new-music…
How I fell in love with the blues
I was never into the blues that much. I listened to a bit of Roy Buchanan and Rory Gallagher but…
Oh dear, Abba’s new album is a bit of a dog: Voyage reviewed
Time has been very kind to Abba. No one back in the 1970s thought of them as geniuses. But they've even lost the talent for writing memorable tunes
‘My voice is a curse’: Gary Numan interviewed
Steve Morris talks to Gary Numan about luck, plane-spotting and Asperger’s
The mystery and romance of the cassette tape
May the gods of Hiss and Compression bless Lou Ottens. As head of new product development at Phillips, the Dutch…
In Chet Baker's albums you can hear America’s romantic self-image curdling
The thing to remember about Chet Baker, an old acquaintance says of the errant jazz musician in Deep In A…
'I like upsetting people': Steven Wilson interviewed
Michael Hann talks to the cult rock star Steven Wilson about why it’s harder to write a pop song than prog
'We knew there was greatness in these songs': Steve Diggle of the Buzzcocks interviewed
Graeme Thomson talks to Steve Diggle, front man of Buzzcocks, about orgasms, boredom and Pete Shelley
'You can't have opinions any more': Rick Wakeman interviewed
Rod Liddle talks to Rick Wakeman about lockdown, the Sex Pistols, and how you can’t have opinions any more
The dazzling, devious, doomed sound of James Booker
Dr John called James Booker ‘the best black, gay, one-eyed junkie piano genius New Orleans has ever produced’. Booker died…
I don’t know when I’ve been more moved: Ora Singers at Tate Modern reviewed
It’s the breath I miss most. The moment when a shuffling group of men and women in scruffy concert blacks…
Affectionate and unthreatening, just like usual: Last Night of the Proms reviewed
The Last Night of the Proms came and went, and it was pretty much as anyone might have predicted, if…
Why orchestras are sounding better than ever under social-distancing
Our college choirmaster had a trick that he liked to deploy when he sensed that we were phoning it in.…
Couldn't the BBC have filled at least some of the seats? First night of the Proms reviewed
The Royal Albert Hall, as Douglas Adams never wrote, is big. Really big. You just won’t believe how vastly, hugely,…
Enter the parallel universe that is the Lucerne Festival
There wasn’t going to be a Lucerne Festival this year. The annual month-long squillion-dollar international beano got cancelled, along with…
Art tackles social distancing and, for once, actually wins: Philharmonia Sessions reviewed
First there were the home recitals: musicians playing solo Bach in front of their bookshelves, wonkily captured on iPhones. Next…
Beethoven 32 piano sonatas were his musical laboratory – here are the best recordings
If you want to understand Beethoven, listen to his piano sonatas. Without them, you’ll never grasp how the same man…
Portrait of the Royal Liverpool Philharmonic – Britain's oldest and ballsiest orchestra
Richard Bratby on Britain’s oldest and ballsiest orchestra, the Royal Liverpool Philharmonic, which has taken on everyone from gang leaders to Derek Hatton
Britain's choirs are facing oblivion
Britain’s choirs are facing oblivion. Yet they’re also terrified of returning. One story explains why. Picture this innocent choral-society scene…
After weeks of silence, Royal Opera reopened with a whimper
It was the fourth time, or maybe the fifth, that I found myself reaching for the tissues that I began…
The musical event of the year: Wigmore Hall BBC Radio 3 Special Broadcasts reviewed
Remember when 2020 was going to be Beethoven year? There were going to be cycles and festivals, recordings and reappraisals;…
I'm still not wholly convinced by Kirill Petrenko: Berlin Phil's Digital Concert Hall reviewed
At the start of Elgar’s Second Symphony the full orchestra hovers, poised. It pulls back; and then, like a dam…
Drunk singers, Ravel on film and prime Viennese operetta: the addictive joys of classical YouTube
The full addictive potential of classical YouTube needs to be experienced to be understood. And let’s be honest, there are…
The best recordings of the greatest symphony
I am daunted. Bruckner’s Eighth Symphony is a work that I regard with love, awe and even anxiety. I always…
