Opera’s grim fascination with ‘fallen women’ — as Welsh National Opera has called its latest mini-season — lies largely in the spectacle of the fall itself. But in Hans Werner Henze’s Boulevard Solitude, the composer’s 1952 operatic debut, the heroine — a tart denied even a heart — starts off near the bottom; her fall is less precipitous than those in the other two operas the company has chosen for its theme, Puccini’s Manon Lescaut and Verdi’s La traviata.
Already a subscriber? Log in
Easter flash sale:
10 issues for $1
Subscribe this Easter and get the next 10 issues of the magazine, plus website and app access, all for just $1.
- Weekly delivery of the magazine
- Unlimited access to spectator.com.au and app
- Spectator Australia podcasts and newsletters
- Full access to spectator.co.uk
Unlock 3 articles a month
You might disagree with half of it, but you’ll enjoy reading all of it. Try your first month for free, then just $2 a week for the remainder of your first year.
Comments
Easter flash sale: 10 issues for $1
Join the conversation with other Spectator Australia readers. Subscribe to leave a comment.
CLAIM OFFER 10 issues for $1Already a subscriber? Log in