You would think that Australia in general and the Melbourne Theatre Company in particular would be up to a production of Ghosts. Ibsen’s extraordinary drama of sex and guilt and the curse of hereditary syphilis is one of the foundational plays of the modern theatre — austere, dramatic to the point of tragic grandeur and with every kind of intimacy, witting and unwitting, sounded to its psychosexual depths.
Already a subscriber? Log in
Get 10 issues
for $10
Subscribe to The Spectator Australia today for the next 10 magazine issues, plus full online access, for just $10.
- Delivery of the weekly magazine
- Unlimited access to spectator.com.au and app
- Spectator podcasts and newsletters
- Full access to spectator.co.uk
Or
Unlock this article
You might disagree with half of it, but you’ll enjoy reading all of it. Try your first month for free, then just $2 a week for the remainder of your first year.
Comments
Don't miss out
Join the conversation with other Spectator Australia readers. Subscribe to leave a comment.
SUBSCRIBEAlready a subscriber? Log in