<iframe src="//www.googletagmanager.com/ns.html?id=GTM-K3L4M3" height="0" width="0" style="display:none;visibility:hidden">

Dance

Birmingham Royal Ballet review: A Father Ted Carmina Burana

Plus: Hofesh Shechter offers a more politely apocalyptic vision than usual in his Royal Ballet debut

4 April 2015

9:00 AM

4 April 2015

9:00 AM

Carmina Burana

Birmingham Royal Ballet, until 20 June

The Four Temperaments/ Untouchable/Song of the Earth

Royal Ballet, in rep until 14 April

We ballet-goers may be the most self-deceiving audiences in theatre. Put a ‘new work’ in front of us and half of us go into conniptions because the classical palace is being brought down and the other half into raptures at not having to sit through some old-hat ballet-ballet.

Twenty years ago, David Bintley was appointed artistic director at Birmingham Royal Ballet.

Already a subscriber? Log in

Get 10 issues
for $10

Subscribe to The Spectator Australia today for the next 10 magazine issues, plus full online access, for just $10.

  • Delivery of the weekly magazine
  • Unlimited access to spectator.com.au and app
  • Spectator podcasts and newsletters
  • Full access to spectator.co.uk
Or

Unlock this article

REGISTER

You might disagree with half of it, but you’ll enjoy reading all of it. Try your first month for free, then just $2 a week for the remainder of your first year.


Comments

Don't miss out

Join the conversation with other Spectator Australia readers. Subscribe to leave a comment.

Already a subscriber? Log in

Close