<iframe src="//www.googletagmanager.com/ns.html?id=GTM-K3L4M3" height="0" width="0" style="display:none;visibility:hidden">

Culture Buff

Culture Buff

4 April 2015

9:00 AM

4 April 2015

9:00 AM

The Wedding March by Felix Mendelssohn was greatly loved by our generation and several before us. It is derived from his incidental music for A Midsummer Night’s Dream, which premiered in 1842; although he wrote the overture in 1826 when only 17. It is still a magical, wondrous piece of music, popularized as a recessional at weddings when it was chosen by Queen Victoria’s daughter Vicky for her marriage to Crown Prince Frederick of Prussia.

Already a subscriber? Log in

Get 10 issues
for $10

Subscribe to The Spectator Australia today for the next 10 magazine issues, plus full online access, for just $10.

  • Delivery of the weekly magazine
  • Unlimited access to spectator.com.au and app
  • Spectator podcasts and newsletters
  • Full access to spectator.co.uk
Or

Unlock this article

REGISTER

You might disagree with half of it, but you’ll enjoy reading all of it. Try your first month for free, then just $2 a week for the remainder of your first year.


Comments

Don't miss out

Join the conversation with other Spectator Australia readers. Subscribe to leave a comment.

Already a subscriber? Log in

Close