There’s been a clutch of middle-aged danseuses taking leave of life in one way or another recently. We’ve seen the abject (Mariinsky star Diana Vishneva’s solo show at the Coliseum) and the magnetic (Alessandra Ferri mournfully channelling Virginia Woolf at the Royal Ballet). A fortnight ago, the Paris Opéra’s aristocratic Aurélie Dupont retired from the stage in one of her great roles, as did American Ballet Theatre’s stellar women Paloma Herrera and Xiomara Reyes in New York.
Already a subscriber? Log in
Black Friday sale
Subscribe today and get 10 weeks of The Spectator Australia for just $1
- Unlimited access to spectator.com.au and app
- The weekly edition on the Spectator Australia app
- Spectator podcasts and newsletters
- Full access to spectator.co.uk
Or
Comments
Black Friday sale
Subscribe today and get 10 weeks of The Spectator Australia for just $1
SUBSCRIBEAlready a subscriber? Log in