<iframe src="//www.googletagmanager.com/ns.html?id=GTM-K3L4M3" height="0" width="0" style="display:none;visibility:hidden">

Exhibitions

Sensory overload: Paul Neagu, Anthony Caro and Bernat Klein reviewed

From palpable sculpture to painterly textiles, Claudia Massie explores three new shows at the Henry Moore Institute, The Hepworth and Dovecot Studios

5 September 2015

9:00 AM

5 September 2015

9:00 AM

Paul Neagu: Palpable Sculpture

Henry Moore Institute, Leeds, until 8 November

Caro in Yorkshire

The Hepworth, Wakefield, until 1 November

Bernat Klein: A Life in Colour

Dovecot Studios, Edinburgh, until 26 September

‘The eye is fatigued, perverted, shallow, its culture is degenerate, degraded and obsolete.’ Welcome to the Palpable Art Manifesto of Romanian sculptor Paul Neagu. Art must be accessible to all the senses, he argued, for ten fingers will explain more than two eyes and the tongue might tell yet more again.

Already a subscriber? Log in

Easter flash sale:
10 issues for $1

Subscribe this Easter and get the next 10 issues of the magazine, plus website and app access, all for just $1.

  • Weekly delivery of the magazine
  • Unlimited access to spectator.com.au and app
  • Spectator Australia podcasts and newsletters
  • Full access to spectator.co.uk
Or

Unlock 3 articles a month

REGISTER

You might disagree with half of it, but you’ll enjoy reading all of it. Try your first month for free, then just $2 a week for the remainder of your first year.


Comments

Easter flash sale: 10 issues for $1

Join the conversation with other Spectator Australia readers. Subscribe to leave a comment.

Already a subscriber? Log in

Close