<iframe src="//www.googletagmanager.com/ns.html?id=GTM-K3L4M3" height="0" width="0" style="display:none;visibility:hidden">

Television

Line of Duty thinks – rightly – that there’s drama in the subsections of police acts

Plus: The A Word, BBC1’s impressive replacement for Happy Valley, is both tactful and not remotely soppy about the difficulties of autism

26 March 2016

9:00 AM

26 March 2016

9:00 AM

Which is better, British TV drama or American? A couple of years ago, merely asking the question would have had the hipsters chortling into their obscure US box sets — and even now a strange cultural cringe seems to persist. Nonetheless, I’d suggest, British television drama these days really is in the midst of an era that will have commentators in 20 years’ time routinely (if a bit unimaginatively) reaching for the adjective ‘golden’.

Already a subscriber? Log in

Get 10 issues
for $10

Subscribe to The Spectator Australia today for the next 10 magazine issues, plus full online access, for just $10.

  • Delivery of the weekly magazine
  • Unlimited access to spectator.com.au and app
  • Spectator podcasts and newsletters
  • Full access to spectator.co.uk
Or

Unlock this article

REGISTER

You might disagree with half of it, but you’ll enjoy reading all of it. Try your first month for free, then just $2 a week for the remainder of your first year.


Comments

Don't miss out

Join the conversation with other Spectator Australia readers. Subscribe to leave a comment.

Already a subscriber? Log in

Close