<iframe src="//www.googletagmanager.com/ns.html?id=GTM-K3L4M3" height="0" width="0" style="display:none;visibility:hidden">

Simon Collins

Simon Collins

10 November 2018

9:00 AM

10 November 2018

9:00 AM

I don’t know if media coverage of the Geoffrey Rush defamation trial boosted Australian cinema attendances for last week’s simulcast broadcasts of an acclaimed British production of King Lear. But it’s safe to assume that in addition to mastering this notoriously challenging role, the actor playing the bard’s mad dad at the Chichester Festival did not also have to contend with newspaper allegations that he harassed a female cast member.

Already a subscriber? Log in

Get 10 issues
for $10

Subscribe to The Spectator Australia today for the next 10 magazine issues, plus full online access, for just $10.

  • Delivery of the weekly magazine
  • Unlimited access to spectator.com.au and app
  • Spectator podcasts and newsletters
  • Full access to spectator.co.uk
Or

Unlock this article

REGISTER

You might disagree with half of it, but you’ll enjoy reading all of it. Try your first month for free, then just $2 a week for the remainder of your first year.


Comments

Don't miss out

Join the conversation with other Spectator Australia readers. Subscribe to leave a comment.

Already a subscriber? Log in

Close