In this handsomely illustrated book Tobie Mathew makes a case for the lowly postcard’s role in the politicisation of pre-revolutionary Russia. Cheap to produce, easily transported and hidden, and conveying a simple graphic message, picture postcards were ideally suited to anti-government agitation. Too dangerous to post, these little shots of sedition were preserved and shared for years in the postcard albums that were a feature of any polite drawing-room and increasing numbers of peasant huts and workers’ barracks.