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Dance

Almost triumphs over the absurdity of its premise: Northern Ballet’s Victoria reviewed

16 March 2019

9:00 AM

16 March 2019

9:00 AM

Blame Kenneth MacMillan. The great Royal Ballet choreographer of the 1960s, 70s and 80s was convinced that narrative dance could and should extend its reach beyond boy meets sylph and began wrestling with heavyweight essay subjects such as the fall of the Austro-Hungarian empire (Mayerling) or the last of the Romanovs (Anastasia).

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