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Dance

A masterclass of menace and magnificence: Romeo and Juliet reviewed

6 April 2019

9:00 AM

6 April 2019

9:00 AM

Two households, both alike in dignity. Capulets in red tights, Montagues in green. Kenneth MacMillan’s Romeo and Juliet opens in a piazza where the clash of swords makes a fifth section of the orchestra. Strings, woodwind, brass, percussion… and steel. If Shakespeare’s young bloods and blades once seemed remotely Renaissance, made romantic by distance, Verona’s knife-crime crisis is now horribly real and present.

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