<iframe src="//www.googletagmanager.com/ns.html?id=GTM-K3L4M3" height="0" width="0" style="display:none;visibility:hidden">

Music

Anderszewski went at Beethoven’s Diabellis with a nail gun

18 May 2019

9:00 AM

18 May 2019

9:00 AM

Are Beethoven’s Diabelli Variations really ‘the greatest of all piano works’, as Alfred Brendel claims? It’s hardly what you would call received wisdom. Even Stephen Kovacevich, who has given us two visionary recordings of the Diabellis, thinks some of the 33 variations are ‘boring’. I don’t agree, but I can understand why Brendel’s judgment seems odd.

Already a subscriber? Log in

Easter flash sale:
10 issues for $1

Subscribe this Easter and get the next 10 issues of the magazine, plus website and app access, all for just $1.

  • Weekly delivery of the magazine
  • Unlimited access to spectator.com.au and app
  • Spectator Australia podcasts and newsletters
  • Full access to spectator.co.uk
Or

Unlock 3 articles a month

REGISTER

You might disagree with half of it, but you’ll enjoy reading all of it. Try your first month for free, then just $2 a week for the remainder of your first year.


Comments

Easter flash sale: 10 issues for $1

Join the conversation with other Spectator Australia readers. Subscribe to leave a comment.

Already a subscriber? Log in

Close