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Arts feature

Antonio Pappano on diversity, a new Ring cycle and defending Verdi from dodgy directors

After a record 18 years – and counting – as music director, Antonio Pappano talks to Norman Lebrecht about life after Covent Garden and how opera is beyond younger audiences

29 February 2020

9:00 AM

29 February 2020

9:00 AM

The horse beats me to the stage door by a short nose. Known as Tiz, it’s an opera specialist who comes up from Norfolk for 10 a.m. rehearsal and is driven back home each night. Tiz is on call right through the Fidelio rehearsals — unlike, as Sir Antonio Pappano points out, the star tenor who does not show up for the first act.

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Fidelio is in rep at the Royal Opera House from 1 to 17 March.

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