Why did a Russian ballet dancer throw acid in his boss’s face?
The 16th June 1961 and 17th January 2013 are two indelible dates in the annals of Russian ballet. Two events…
Bird brained
For all the billing and cooing on public forums about the Royal Ballet’s The Two Pigeons revival, there’s a silent…
Ménage à trois
Mark Baldwin, artistic director of Rambert Dance, must take responsibility for most of the good times I’ve had recently, midwife…
West End wannabe
The love that asks no questions, the love that pays the price… The amount of unconditional love sloshing about at…
Wherefore art thou Romeo?
You always remember your first time, don’t you? And in ballet one imagines that Juliet wants to remember her first…
Giselle has floored many a ballerina — it did so again last week
English has all sorts of emotive metaphors for how we feel about the ground. We’re floored. Or well grounded. Or…
Gutted!
There was blood on the walls and floor at the birth of Kenneth MacMillan’s Romeo and Juliet in 1965. The…
Fighting talk
If there’s one thing scarcer than hen’s teeth in serious choreography nowadays, it’s a light heart. When was the last…
Martian moves
Every August when London dims, Edinburgh calls, promising nothing less than ‘the greats of the arts’ at the International Festival.…
Afterthoughts
The blackness that sweeps along the stage behind Sylvie Guillem’s disappearing figure in the Russell Maliphant piece on her farewell…
Pulp fiction
Hot, languorous, sizzling… I was thinking what an ideal show Matthew Bourne’s noir comedy is to watch on a summer’s…
All you need is love
What could induce a grown-up, rational, childless person to go to see the ballet of Cinderella? You’ll expect to cringe…
Dying of the light
It’s a comfort that the creation of a new ballet inspired by French court entertainment can still happen in the…
Walking with cadence
I often regret that I’m writing in the past tense here, but never more than about milonga. It is such…
The long goodbye
There’s been a clutch of middle-aged danseuses taking leave of life in one way or another recently. We’ve seen the…
Woolf haul
People have been saying that Wayne McGregor’s new Woolf Works has reinvented the three-act ballet, but not so. William Forsythe…
Boys on the march
In dance, it’s usually the moment the boys start fighting that challenges your suspension of disbelief. Synchronised fencing (MacMillan’s Romeo…
Lethal weapon
The current talking-point at the Royal Ballet is the Russians milling around. One can sound unfortunately as if one’s starting…
Crossing cultures
For an Indian woman to make a dancework about La Bayadère is a promising prospect. This classical ballet of 1877…
Monky business
We ballet-goers may be the most self-deceiving audiences in theatre. Put a ‘new work’ in front of us and half…
50 shades of beige
My moment of the week was stumbling into the shocking, fantastical Cabinet of Curiosities in the Alexander McQueen show at…
Eurocrash and Eurotrash
Funny how things turn upside-down with time. A work of contemporary dance that made an iconoclastic splash decades ago is…
Down and out
The prodigious streetdancer Tommy Franzén pops up everywhere from family-friendly hip-hop shows by ZooNation, Boy Blue and Bounce to serious…
Jugglers v. dancers
January is something of a palate-cleanser for the year, as the London International Mime Festival flies in plane-loads of companies…
Let the wrong one in
There’s been heated disagreement over the past week about what’s right and wrong. Is the rocket-propelled ex-Bolshoi enfant terrible Ivan…
