Around the World In Eighty Days is the worst TV this Christmas
‘In many ways, Phileas Fogg represents everything that’s alarming and peculiar about that old sense of British Empire. Potentially, it’s…
If you watch one thing this Christmas, make it The Witcher
If you only watch one thing on TV this Christmas, make it The Witcher(Netflix). It’s by turns funny, exciting, scary,…
More mesmerising than it should be – Disney+'s The Beatles: Get Back reviewed
My late friend Alexander Nekrassov loathed the Beatles, which I used to think was a wantonly contrary position akin to…
Eddie Izzard is so bad I'm hoping he gets dismembered: Sky's The Lost Symbol reviewed
If it weren’t for this job I sometimes wonder whether I’d even bother watching TV at all. This mood strikes…
Profound and original and unashamedly religious: Midnight Mass reviewed
I was turned on to Midnight Mass by Ricky Gervais who raved about it in one of his social media…
Grimy, echt and gripping: Netflix's The Forgotten Battle reviewed
The Forgotten Battle is a Dutch feature film commemorating the desperate and relatively little-known Allied assault on the Scheldt estuary…
Lurking beneath the gore are moments of wit and sensitivity: Squid Game reviewed
Should we be worried that Squid Game is the most popular show in Netflix’s history? If it’s a case of…
Delivers in spades: The Many Saints of Newark reviewed
So how exactly did Tony Soprano become a New Jersey mob boss? It’s 1967 and young Anthony is struggling to…
Amateurish and implausible: BBC1's Vigil reviewed
Tense, claustrophobic, gripping, thrilling, realistic: just some of the adjectives no one is using to describe BBC1’s Sunday night submarine…
Up there with Succession and Chernobyl: The White Lotus, Sky Atlantic, reviewed
Every now and then, you see a new series — Succession, say, or Chernobyl or To the Lake — which…
Apocalypse, Seventies-style: BritBox's Survivors reviewed
When the apocalypse comes, I want it to be scripted by a 1970s screenwriter. That’s my conclusion after watching the…
Switch over to Eurosport: BBC's Olympic coverage reviewed
I’ve not been allowed anywhere near the TV remote control this week because of some kind of infernal sporting event…
The techniques of totalitarianism are still fully in play today
How to Become a Tyrant(Netflix) is ideal history TV for Generation No Attention Span. Presented in six bite-sized chunks by…
The best thing on TV ever: Rick and Morty, Season 5, reviewed
I’ve been trying to avoid the house TV room as much as possible recently because it tends to be occupied…
First-rate TV: Clarkson's Farm on Amazon Prime reviewed
I was at a party the other day when who should accost me but Jeremy Clarkson. There were lots more…
The clichés of Israeli TV are far more bearable than ours
Tragically it wasn’t my turn to review when Channel 5’s groundbreaking Anne Boleyn came out so you’ll never find out…
Latest proof that western civilisation is over: Sky Atlantic's Domina reviewed
I’ve been looking at the reviews so far of Sky’s new Romans series Domina and none seems to have noticed…
Honest, faithful and fantastically enjoyable: BBC1's The Pursuit of Love reviewed
I’d been expecting the BBC to make a dreadful hash of The Pursuit of Love, especially when I read that…
Audiences don’t want woke: comic-book writer Mark Millar interviewed
James Delingpole talks to comic-book writer Mark Millar about the joy of Catholicism, our sorry lack of male action figures and his childhood superpower
This Is My House has rekindled my love for the BBC
Here’s a thought that will make you feel old. Or worried. Or both. The poke-fun-at-celebrity-houses series Through the Keyhole —…
Intelligence-insulting schlock: Sky Atlantic's Your Honor reviewed
I’m really not enjoying Your Honor, the latest vehicle for Bryan Cranston to play a good man driven to the…
Why I’m glad to see the back of Call My Agent!
For the past few weeks I have been binge-watching the Netflix series Call My Agent! (or Dix pour cent, as…
Apple+'s new series damn near cost me my marriage: Calls reviewed
Calls is the very antithesis of televisual soma. In fact it’s so jarring and discomfiting and horrible that I think…
The Covid Macguffin
Why do current events read like a bad movie?