The unseen Victoria Wood
For a few years now I have been living with Victoria Wood. That sounds all wrong, obviously, and yet no…
'What do you think the English will say?' Pablo Larrain on his pop horror Diana film
Jasper Rees talks to the Chilean director Pablo Larrain about his new film, Spencer, which makes The Crown look like royalist propaganda
Remembering David Storey, giant of postwar English culture
Jasper Rees remembers David Storey, giant of postwar English culture and wry teller of tales, whose newly published memoir is perhaps his most remarkable work
Scooby Doo with better CGI: Doctor Sleep reviewed
Wheeeere’s Johnny? Nearly 40 years ago Jack Nicholson went berserk in a snowbound Rockies hotel, smashing an axe through a…
Sweet but formulaic: Blinded by Light reviewed
Once upon a time two men sat in a New York bar lamenting the state of Broadway. So they decided…
Still reliably fab: Toy Story 4 reviewed
Nearly 25 years on from its immaculate birth, Toy Story — like Wagner’s Ring, like John Updike’s Rabbit novels —…
Startlingly fresh and jaggedly strange: Birds of Passage reviewed
You don’t come across too many films from Colombia, but every few years one wriggles its way through the festival…
A mighty resurrection: Amazing Grace reviewed
Each December in Washington DC, the Kennedy Center Honors anoints five performing artists who have contributed to American life. In…
A succession of predigested clichés: Bohemian Rhapsody reviewed
There is a moment in Bohemian Rhapsody when the screen swims with print. The reviews for Queen’s epic new single…
A captivating addition to the filmography of the first world war: The Guardians reviewed
There are moments in The Guardians when you can imagine you’re in the wrong art form. Time stills, the frame…
For any politician spoiling for a fight over Ireland’s border, Under the Tree is required viewing
Every so often there’s a news story in which neighbours quarrel over rampaging leylandii. The police are summoned, the case…
It will save some marriages – or end others: The Escape reviewed
Dominic Savage had an early start. In Barry Lyndon (1975), Stanley Kubrick’s sprawling take on Thackeray, he played a prepubescent…
Lean on Pete is a beauty
Andrew Haigh makes inaction films. Weekend (2011) tells of two young homosexuals getting to know each other in Nottingham. In…
The subtly savage world of filmmaker Ruben Ostlund
There is a culty YouTube video shot three years ago on the laptop camera of Ruben Ostlund. It shows the…
I, Tonya is not quite a gold-medal masterpiece
Films about the Winter Olympics don’t grow on conifers. Twenty-five years ago there was Cool Runnings about the Jamaican bobsleigh…
The last survivor of The Birthday Party’s 1958 première remembers the traumatic first night
‘Mad, wearying and inconsequential gabble,’ sighed the Financial Times in 1958. ‘One quails in slack-jawed dismay.’ Here’s the FT at…
The heart is unstirred in Haneke’s morose critique of a fractured society: Happy End reviewed
The films of Michael Haneke wear a long face. Psychological terror, domestic horror, sick sex, genital self-harm — these are…
Hideously watchable: Killing of a Sacred Deer reviewed
You know where you aren’t with director Yorgos Lanthimos. The Greek allegorist creates parallel worlds which superficially resemble our own.…
The art of the football shirt
Part canvas, part sandwich board, club kits don’t always work – but their designs can be addictive
Unhappy days
Scriptwriters love to feast on the lives of children’s authors. The themes tend not to vary: they may have brought…
Made in Port Talbot
Port Talbot, on the coast of South Wales, is literally overlooked. Most experience the town while flying over it on…
Russell Crowe knows how to wear a pair of inverted commas: The Nice Guys reviewed
Regular filmgoers must be losing count of the Rabelaisian revelries they’ve been invited to of late. You may recognise the…
‘Do black movies really not sell?’: Don Cheadle on Miles Ahead
Don Cheadle talks to Jasper Rees about the long, hard road to bringing Miles Davis’s life to the big screen
Quiet but potent film about the migrant experience: Dheepan reviewed
The French master film-maker Jacques Audiard has never been anywhere near Hollywood plot school. His films contain gathering menace —…
Cinema needs films like Chronic – just not a lot of them
Scholarly filmgoers may recall a movement that sprouted from Danish soil called Dogme 95. It worked to a Spartan set…
