Dance

Romeo, Juliet and Mussolini

24 May 2014 9:00 am

George Balanchine’s Serenade, the manifesto of 20th-century neoclassical choreography, requires a deep understanding of both its complex stylistic nuances and…

Balanchinian ideal

22 May 2014 1:00 pm

George Balanchine’s Serenade, the manifesto of 20th-century neoclassical choreography, requires a deep understanding of both its complex stylistic nuances and…

Modern dance vs Shakespeare

19 April 2014 9:00 am

In a dance world that has chosen to dispense with stylistic and semantic subtleties, ‘narrative ballet’ and ‘story ballet’ are…

Study in spectacle

16 April 2014 1:00 pm

In a dance world that has chosen to dispense with stylistic and semantic subtleties, ‘narrative ballet’ and ‘story ballet’ are…

European postmodern dance can be just as boring as American postmodern dance

5 April 2014 9:00 am

What’s in a definition? As far as theatre dance is concerned, quite a lot. Labelling — and often labelling for…

Visual overload

3 April 2014 2:00 pm

What’s in a definition? As far as theatre dance is concerned, quite a lot. Labelling — and often labelling for…

Roberto Bolle in ‘Le Jeune Hommeet la Mort’ at the Coliseum

Kings of Dance: a show to keep the Sun King happy

29 March 2014 9:00 am

Louis XIV might have been a narcissistic and whimsical tyrant, but he did a lot for dance. An accomplished practitioner,…

Roberto Bolle in ‘Le Jeune Hommeet la Mort’ at the Coliseum

Man power

27 March 2014 3:00 pm

Louis XIV might have been a narcissistic and whimsical tyrant, but he did a lot for dance. An accomplished practitioner,…

The dancers who said ‘no’ to postmodernism

22 March 2014 9:00 am

It all started in 1971, when a group of physically and artistically talented youngsters decided to create a dance company…

The third way

20 March 2014 3:00 pm

It all started in 1971, when a group of physically and artistically talented youngsters decided to create a dance company…

Bach is made for dancing

15 February 2014 9:00 am

It appears that J.S. Bach’s music is to theatre-dance what whipped cream is to chocolate. Masterworks such as Trisha Brown’s…

Inspired by Bach

13 February 2014 3:00 pm

It appears that J.S. Bach’s music is to theatre-dance what whipped cream is to chocolate. Masterworks such as Trisha Brown’s…

Stuttgart Ballet - still John Cranko's company

30 November 2013 9:00 am

Stuttgart Ballet’s rapid ascent to fame is at the core of one of the most interesting chapters of ballet history.…

Cranko’s legacy

28 November 2013 3:00 pm

Stuttgart Ballet’s rapid ascent to fame is at the core of one of the most interesting chapters of ballet history.…

The Royal Ballet's triple bill was danced to perfection

16 November 2013 9:00 am

There was a time when the term ‘world première’ was not as fashionable as it is these days. Great works…

Seasonal treats

14 November 2013 3:00 pm

There was a time when the term ‘world première’ was not as fashionable as it is these days. Great works…

Is there or isn't there a hanged man in 'Sun'?

9 November 2013 9:00 am

Sun is one of those performances that confront reviewers with the eternal dilemma of whether or not it is appropriate…

Light and shade

7 November 2013 3:00 pm

Sun is one of those performances that confront reviewers with the eternal dilemma of whether or not it is appropriate…

A rich, colourful romp

26 October 2013 9:00 am

Bold decisions are at the core of great artistic directorship. And Tamara Rojo, the ballet star leading English National Ballet,…

Entertaining romp

24 October 2013 2:00 pm

Bold decisions are at the core of great artistic directorship. And Tamara Rojo, the ballet star leading English National Ballet,…

Carlos Acosta’s Don Quixote lacks the wow factor

5 October 2013 9:00 am

Superstar Carlos Acosta makes little or no reference to Don Quixote’s established history in his programme note about the genesis…

Don Q lite

3 October 2013 1:00 pm

Superstar Carlos Acosta makes little or no reference to Don Quixote’s established history in his programme note about the genesis…

Ekaterina Krysanova and Vyacheslav Lopatin in Balanchine’s ‘Rubies’

A masterclass in stage presence from the Bolshoi

17 August 2013 9:00 am

Jewels is everything a George Balanchine admirer could ask for. The sumptuous triptych, set to scores by Fauré, Stravinsky and…

Ekaterina Krysanova and Vyacheslav Lopatin in Balanchine’s ‘Rubies’

A trio of gems

15 August 2013 1:00 pm

Jewels is everything a George Balanchine admirer could ask for. The sumptuous triptych, set to scores by Fauré, Stravinsky and…

The Bolshoi remains faithful to the classics

10 August 2013 9:00 am

Tradition is often frowned on. Yet, if properly handled, it can be sheer fun and pure bliss, as demonstrated by…