Opera
Straight talking
It’s widely agreed that the most difficult form of opera to bring off is operetta, whether of the Austro-German or…
Miserable libretto, music to match: Andrea Chénier reviewed
Opera North continues to be the most reliable, inspiring, resourceful and enterprising opera company in the United Kingdom, and all…
Northern lights
Opera North continues to be the most reliable, inspiring, resourceful and enterprising opera company in the United Kingdom, and all…
Northern lights
Opera North continues to be the most reliable, inspiring, resourceful and enterprising opera company in the United Kingdom, and all…
Powerful and upsetting: Pelléas et Mélisande at the Barbican reviewed
There are some operas, as there are some people, that it is impossible to establish a settled relationship with, and…
In two minds
There are some operas, as there are some people, that it is impossible to establish a settled relationship with, and…
In two minds
There are some operas, as there are some people, that it is impossible to establish a settled relationship with, and…
Conductor and orchestra played as if in love: Royal Opera’s Eugene Onegin reviewed
It’s scene five of Kasper Holten’s production of Tchaikovsky’s Eugene Onegin and Michael Fabiano’s Lensky is alone with a snow-covered…
Double trouble
It’s scene five of Kasper Holten’s production of Tchaikovsky’s Eugene Onegin and Michael Fabiano’s Lensky is alone with a snow-covered…
Double trouble
It’s scene five of Kasper Holten’s production of Tchaikovsky’s Eugene Onegin and Michael Fabiano’s Lensky is alone with a snow-covered…
Royal Opera’s Cavalleria rusticana isn’t nearly vulgar enough
How often do you get a chance to see two operas by Leoncavallo in the same city in the same…
Royal Opera’s Cavalleria rusticana isn’t nearly vulgar enough
How often do you get a chance to see two operas by Leoncavallo in the same city in the same…
Royal Opera’s Cavalleria rusticana isn’t nearly vulgar enough
How often do you get a chance to see two operas by Leoncavallo in the same city in the same…
A devastating Jenufa - if you could hear it
About 15 minutes into act one of Jenufa, the student in the next seat leaned over to her companions and…
Lost in translation
About 15 minutes into act one of Jenufa, the student in the next seat leaned over to her companions and…
Lost in translation
About 15 minutes into act one of Jenufa, the student in the next seat leaned over to her companions and…
Has there ever been a better time to be a lover of Baroque opera?
Time was when early music was a 6 p.m. concert, Baroque began with Bach and ended with Corelli’s Christmas Concerto,…
Has there ever been a better time to be a lover of Baroque opera?
Time was when early music was a 6 p.m. concert, Baroque began with Bach and ended with Corelli’s Christmas Concerto,…
Has there ever been a better time to be a lover of Baroque opera?
Time was when early music was a 6 p.m. concert, Baroque began with Bach and ended with Corelli’s Christmas Concerto,…
Morgen und Abend: the kind of opera that gives opera a bad name
The Royal Opera House seemed nervous about Georg Friedrich Haas’s world première Morgen und Abend. They sent out a pdf…
All at sea
The Royal Opera House seemed nervous about Georg Friedrich Haas’s world première Morgen und Abend. They sent out a pdf…
All at sea
The Royal Opera House seemed nervous about Georg Friedrich Haas’s world première Morgen und Abend. They sent out a pdf…
That Force of Destiny isn’t a great evening is the fault of Verdi not ENO
The Force of Destiny, ENO’s latest offering to its ‘stakeholders’, as its audiences are now called thanks to Cressida Pollock,…
That Force of Destiny isn’t a great evening is the fault of Verdi not ENO
The Force of Destiny, ENO’s latest offering to its ‘stakeholders’, as its audiences are now called thanks to Cressida Pollock,…
That Force of Destiny isn’t a great evening is the fault of Verdi not ENO
The Force of Destiny, ENO’s latest offering to its ‘stakeholders’, as its audiences are now called thanks to Cressida Pollock,…
