Arts

He barely knows what he's doing: Oliver Anthony, at the O2 Shepherd's Bush Empire, reviewed

Michael Hann 24 February 2024 9:00 am

The genius of Yoko Ono

Laura Gascoigne 24 February 2024 9:00 am

It should be boring – but it never is: Perfect Days reviewed

Deborah Ross 24 February 2024 9:00 am

Precious nonsense: Pina Bausch's Nelken, at Sadler's Wells, reviewed

Rupert Christiansen 24 February 2024 9:00 am

A neat fantasy that asks why Britons don't revolt: BBC1's The Way reviewed

James Walton 24 February 2024 9:00 am

Gleefully silly: Scottish Opera's Marx in London! reviewed

Richard Bratby 24 February 2024 9:00 am

A fey screeching parody

Peter Craven 17 February 2024 9:00 am

Is it a necessary declension, the descent from histrionic splendour to self-parody and worse? For years now Ryan Murphy has…

It's no Jerusalem: Jez Butterworth's Hills of California, at Harold Pinter Theatre, reviewed

Lloyd Evans 17 February 2024 9:00 am

Sensuous, languorous, soothing and rich: The Taste of Things reviewed

Deborah Ross 17 February 2024 9:00 am

Evocative and immaculate: Netflix’s One Day reviewed

James Delingpole 17 February 2024 9:00 am

How did the internet become so horrific?

Jenny McCartney 17 February 2024 9:00 am

Plus: the joy of hearing lawyers argue

Why I was wrong to think Idles obvious and depressing

Graeme Thomson 17 February 2024 9:00 am

What were we all doing here? My 600-mile trip to hear an organ play a D natural

Yoel Noorali 17 February 2024 9:00 am

On the evidence of their Siegfried, Regents Opera's Ring will be well worth catching

Richard Bratby 17 February 2024 9:00 am

A thrilling new recording of Messiaen's Turangalila-Symphonie

Damian Thompson 17 February 2024 9:00 am

Winning: When Forms Come Alive, at the Hayward, reviewed

Laura Gascoigne 17 February 2024 9:00 am

Ophelia in her madness

Peter Craven 10 February 2024 9:00 am

Why does Taylor Swift feel like such a force of nature? She transfigures the economy of wherever she lands and…

How does Larry David get away with it? Curb Your Enthusiasm reviewed

James Walton 10 February 2024 9:00 am

Cheekface are uplifting and witty but also very punchable: It's Sorted reviewed

Rod Liddle 10 February 2024 9:00 am

An endurance test that I constantly failed: Occupied City reviewed

Deborah Ross 10 February 2024 9:00 am

Monumentally good: John Francis Flynn, at the Dome, reviewed

Michael Hann 10 February 2024 9:00 am

One of the great contemporary symphonies: The Hallé – Desert Music, at Bridgewater Hall, reviewed

Richard Bratby 10 February 2024 9:00 am

An unmistakable hit: Till the Stars Come Down, at the Dorfman Theatre, reviewed

Lloyd Evans 10 February 2024 9:00 am

Lucid and lean: Metamorphoses, at the Theatre Royal Bath, reviewed

Rupert Christiansen 10 February 2024 9:00 am

I was dreading this show – how wrong could I be: Entangled Pasts, at the Royal Academy, reviewed

Laura Gascoigne 10 February 2024 9:00 am

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