Arts
The festivalisation of TV
Televising Glastonbury has changed the festival, and in turn transformed television, says Graeme Thomson
I didn’t expect to be so moved – galleries reopen
I’m in Mayfair and I’m boarding an airplane. Or rather, I’m boarding an approximation of an airplane. In the centre…
Not nul points but it’s no Spinal Tap: Eurovision Song Contest – The Story of Fire Saga reviewed
This comedy stars Will Ferrell and Rachel McAdams as an Icelandic duo whose biggest dream is to represent their country…
Sensual and silky: the Royal Ballet returns to Covent Garden
Wayne McGregor’s Morgen! and Frederick Ashton’s Dance of the Blessed Spirits are the first pieces of live dance — streamed…
Paapa Essiedu is a dazzling, all-encompassing prince: RSC’s Hamlet reviewed
The Beeb has released Simon Godwin’s Hamlet staged by the RSC in 2016. The director makes one major change and…
Contains the loveliest new song I've heard in decades: Bob Dylan's new album reviewed
Grade: A ‘Rough’ in terms of the mostly spoken vocals, but only ‘rowdy’ if you’re approaching your 80th birthday, which…
Pure poison: BBC1’s Talking Heads reviewed
The big mistake people make with Alan Bennett is to conflate him with his fellow Yorkshireman David Hockney. But whereas…
Laughing Child by John Brack
In a futile attempt at participating in the current cultural revolution, I tried to suffer ‘harm and offence’ from an…
From Hogarth to Mardi Gras: the best art podcasts
If you study History of Art, people generally assume you’re a nice, conscientious, plummy-voiced girl. Sometimes, people are right. It…
The statue-topplers are obsessed with white men and white history
The statue-topplers reveal a Eurocentric view of the world that ignores the achievements of black and Asian luminaries, says Tanjil Rashid
In defence of Prince’s late style
In 1992 Prince released a single called ‘My Name Is Prince’. On first hearing it seemed appropriately regal. Cocky, even.…
A true story that never feels true: Resistance reviewed
Resistance stars Jesse Eisenberg and tells the true story of how mime artist Marcel Marceau helped orphaned Jewish children to…
A fine, even rather noble drama: BBC1's The Salisbury Poisonings reviewed
This week, BBC1 brought us a three-part dramatisation of an ‘unprecedented crisis’ in recent British life. Among other things, it…
The Madness of George III is much easier to like than King Lear
The longest interval in theatre history continues. Last week the National Theatre livestreamed a 2018 version of The Madness of…
After weeks of silence, Royal Opera reopened with a whimper
It was the fourth time, or maybe the fifth, that I found myself reaching for the tissues that I began…
Richard Tognetti
This week the Australia Chamber Orchestra should have been delighting audiences with their usual brilliant performances to celebrate the 30th…
As a lyricist, Ian Dury had few equals in the 20th century
The National Theatre’s programme of livestreamed shows continues with the Donmar’s 2014 production of Coriolanus starring Tom Hiddleston. The play…
Messy but absolutely necessary: Da 5 Bloods reviewed
Spike Lee’s Da 5 Bloods is about four African-American vets who return to Vietnam to locate the body of their…
This crisis could be the catalyst for a golden age of British theatre
The coronavirus crisis offers theatre a golden opportunity to break free of the structures that have held it back for years, says William Cook
Jeffrey Epstein really was a streak of slime
Did Jeffrey Epstein kill himself or was he murdered — and frankly who cares? Actually, having watched the four-part Netflix…
The art of the incel
The roots of incel subculture – and its magnificent memes – stretch back to Goethe’s Werther and beyond, says Nina Power
The musical event of the year: Wigmore Hall BBC Radio 3 Special Broadcasts reviewed
Remember when 2020 was going to be Beethoven year? There were going to be cycles and festivals, recordings and reappraisals;…
Belgravia
Belgravia is the rather coldly beautiful residential part of London bounded by Knightsbridge, Chelsea and Buckingham Palace. It is also…
The best recordings of Ravel’s L’enfant et les sortilèges
‘I don’t want to do my work. I want to go for a walk. I want to eat all the…