albums
‘I’m not interested in moral purity’: St Vincent interviewed
Michael Hann talks to St Vincent about Sheena Easton, Stalin and performing in five-inch heels
Josquin changed musical history – why don't we hear more of him?
Stepping into the Sistine Chapel, the choir loft is probably the last thing you’d notice. ‘Loft’ is, frankly, a stretch…
Tom Jones is as nuanced a vocalist as Ian Paisley
Grade: C Revisionism has been extraordinarily kind to Tom Jones, ever since he barked his way through Prince’s ‘Kiss’ with…
Demi Lovato makes Taylor Swift resemble Dostoevsky
Grade: Z If you wish to experience the full hideousness of Now, of our current age, condensed into one awful…
In Chet Baker's albums you can hear America’s romantic self-image curdling
The thing to remember about Chet Baker, an old acquaintance says of the errant jazz musician in Deep In A…
'I like upsetting people': Steven Wilson interviewed
Michael Hann talks to the cult rock star Steven Wilson about why it’s harder to write a pop song than prog
The two composers who defined British cinema also wrote inspired operas
It’s my new lockdown ritual. Switch on the telly, cue up the menu and scroll down to where the vintage…
From bad joke to 21st-century classic: the best recordings of Korngold’s Violin Concerto
Erich Korngold was what you might call an early adopter. As a child prodigy in Habsburg Vienna, he’d astonished the…
A criminally underrated songwriter: Matthew Sweet’s Catspaw reviewed
Grade: A– The early 1990s were a lovely time for rock music: Beck, Sparklehorse, Sugar, Green on Red and Royal…
Proudly ridiculous and wholly glorious: KLF's Solid State Logik reviewed
Grade: A What a miracle the KLF were: an elaborate practical joke at the expense of the music industry, seemingly…
'We knew there was greatness in these songs': Steve Diggle of the Buzzcocks interviewed
Graeme Thomson talks to Steve Diggle, front man of Buzzcocks, about orgasms, boredom and Pete Shelley
Hear the greatest Parsifal of our time sing like a Muppet: Jonas Kaufmann’s Christmas album reviewed
In classical music circles, Christmas arrives with the overture to Handel’s Messiah. Or so they’ll tell you. In truth, festivities…
Make Status Quo sound like Stockhausen: AC/DC's Power Up reviewed
Grade: C The fear is this: you’re wearing a leather jacket and hipster jeans and think you look cool, but…
Meet the front man of ‘the most revolting band in the world’
Michael Hann talks to Corey Taylor, front man of ‘the most revolting band in the world’, about PTSD, Donald Trump and life after alcoholism
Why did Balakirev's beautiful, inventive works go out of fashion?
Anyone who invited the Russian composer Mily Balakirev to dinner had to be jolly careful about the fish they served.…
More mimsy soft rock from Cat Stevens: Tea for the Tillerman 2 reviewed
Grade: B– Time has been kind to Cat Stevens’s reputation — his estrangement from the music business and rad BAME…
Virtuosic but slight – always prog’s problem: The Pineapple Thief's latest reviewed
Grade: B– Of all the various subdivisions in that wheezing and crippled phenomenon that we call rock music, prog has…
There's scarcely a dull track: Deep Purple's Whoosh! reviewed
Grade: B+ Less deep purple than a pleasant mauve. Ageing headbangers will note a lack of the freneticism that distinguished…
Why imperfect operas like Don Carlo are more interesting than perfect ones
In the 62 years since I first heard and saw Don Carlo, in the famous and long-lasting production by Visconti…
'Cocaine addiction is time-consuming': the rise and fall of Kevin Rowland and Dexys
Michael Hann talks to Kevin Rowland about Dexys, insecurity and the cocaine years
Ranges from the slight to the first-rate: Neil Young’s Homegrown reviewed
Grade: B+ Neil Young has been mining his own past very profitably for a long time now, disinterring a seemingly…
Contains the loveliest new song I've heard in decades: Bob Dylan's new album reviewed
Grade: A ‘Rough’ in terms of the mostly spoken vocals, but only ‘rowdy’ if you’re approaching your 80th birthday, which…
In defence of Prince’s late style
In 1992 Prince released a single called ‘My Name Is Prince’. On first hearing it seemed appropriately regal. Cocky, even.…
Skates on the edge of parody: The 1975's Notes on a Conditional Form reviewed
Grade: B+ Just what you wanted. An opening track that matches banal piano noodling to an address by Greta Thunberg.…
The musical benefits of not playing live
Many performers hated playing live. But freed from the stage they often made their best and wildest work, argues Graeme Thomson
