Ashmolean Museum
How flabby our ideas of draughtsmanship have become
The term drawing is a broad umbrella, so in an exhibition of 120 works it helps to outline some distinctions.…
How good is he? Pissarro: Father of Impressionism, at the Ashmolean Museum, reviewed
Two markers: ‘Cottages at Auvers-sur-Oise’ (c.1873) is a sweet especial rural scene of faintly slovenly thatched cottages with, at its…
The objects that sound witchiest on paper just look sad: Spellbound reviewed
Just in front of me, visiting Spellbound at the Ashmolean last week, was a very rational boy of about seven…
Warhol the traditionalist: the Ashmolean Museum show reviewed
When asked the question ‘What is art?’, Andy Warhol gave a characteristically flip answer (‘Isn’t that a guy’s name?’). On…
