Balanchine

At last some genuine gala material: Royal Ballet's Balanchine and Robbins reviewed

12 June 2021 9:00 am

The OED defines ‘gala’ as ‘a festive occasion’. In the ballet world this usually translates as a handful of stars,…

A feast of Mexicanismo: Tamara Rojo as Frida Kahlo in ‘Broken Wings’

Does Tamara Rojo really think female choreographers are being stifled by sexism?

23 April 2016 9:00 am

Tamara Rojo programmed three female choreographers for her English National Ballet spring bill because, she said, she had never danced…

Giselle has floored many a ballerina — it did so again last week

17 October 2015 8:00 am

English has all sorts of emotive metaphors for how we feel about the ground. We’re floored. Or well grounded. Or…

Birmingham Royal Ballet review: A Father Ted Carmina Burana

4 April 2015 9:00 am

We ballet-goers may be the most self-deceiving audiences in theatre. Put a ‘new work’ in front of us and half…

Ekaterina Krysanova and Vyacheslav Lopatin in Balanchine’s ‘Rubies’

A masterclass in stage presence from the Bolshoi

17 August 2013 9:00 am

Jewels is everything a George Balanchine admirer could ask for. The sumptuous triptych, set to scores by Fauré, Stravinsky and…