Barbara Hepworth
Can we know an artist by their house?
Can we know an artist by their house, asks Laura Freeman
Are surgical museums such the Hunterian doomed?
Margaret Mitchell on the ethics of museums of anatomical specimens
Jim Ede and the glories of Kettle’s Yard
Honor Clerk celebrates Jim Ede and his matchless collection at Kettle’s Yard
The well of happiness – and despair: Queer St Ives reviewed
In the winter of 1952 the 21-year-old sculptor John Milne travelled to St Ives in Cornwall to take up a…
From Leonardo to Hepworth: the art of surgery
Daisy Dunn on the art of surgery
How to succeed in sculpture (without being a man)
Whee-ooh-whee ya-ya-yang skrittle-skrittle skreeeek… Is it a space pod bearing aliens from Mars? No, it’s a podcast featuring aliens from…
Radio 4’s The Art of Innovation is a series that — for once — deserves the label ‘landmark’
Radio 4, how do I love thee? Rather as one loves the flocked wallpaper that came with the house. It…
What's that thing? Britain's worst public art
Bad public art pollutes our townscapes. Stephen Bayley names and shames the worst offenders as he unveils the winner of The Spectator’s inaugural What’s That Thing? Award
![‘Sculpture with Colour (Deep Blue and Red) [6]’, 1943, by Barbara Hepworth](https://www.spectator.com.au/wp-content/uploads/2015/06/exhibitions1.jpg?w=410&h=275&crop=1)
Was Barbara Hepworth a giant of modern sculpture - or a dreary relic of post-war Britain?
In the last two decades of her life, Barbara Hepworth was a big figure in the world of art. A…
The Spectator declares war on bad public art
Stephen Bayley announces the launch of What’s That Thing?, The Spectator’s award for bad public art
2015 in exhibitions - painting still rules
The art on show over the coming year demonstrates that we still live in an age of mighty painters, says Martin Gayford
A lost opportunity to show John Nash at his best
John Northcote Nash (1893–1977) was the younger brother of Paul Nash (1889–1946), and has been long overshadowed by Paul, though…
