Cinema
Schlock: Everything Everywhere All At Once reviewed
We’re doing multiverses now. Last weekend, a friend dragged me to see Marvel’s latest product, Doctor Strange in the Multiverse…
Film's most unforgettable scene
Fifty years since The Godfather’s release, Thomas W. Hodgkinson revisits the film’s most unforgettable scene
My clash with Maureen Lipman
After my Unapologetic Diaries were published recently, I was apparently accused of offending several people. At a lavish Christmas lunch…
‘I am not able to answer your question’: an irascible Paolo Sorrentino interviewed
Hermione Eyre talks to an irascible Paolo Sorrentino about therapy, Vesuvius and why he kept things simple and easy for his latest film
What James Bond and Aristophanes have in common
So James Bond is back, doing exactly what he always does, inviting the audience into a fantasy world for the…
Has Covid killed criticism?
A world without criticism is just advertising
In defence of Marvel
A global pandemic is no match for the Marvel multiverse, says Rosie Millard
The time is up for long films
Why do films have to go on for so long?
Awards season loses its shine when no one can go to the cinema
The inevitable listlessness of this year’s awards season
How Korean cinema mastered the art of horror
The triumph of Korean cinema
The only man who didn’t want to be Cary Grant was Cary Grant himself
Cary Grant was a hoax so sublime his creator struggled to escape him. He was a metaphor, too, for the…
Why I won't mourn the death of the cinema
You could smell the stale popcorn and rancid carpet from the other end of the high street but that unmistakable…
You won’t be able to look away: Shirley reviewed
This week, two electrifying performances in two excellent films rather than two mediocre performances in the one mediocre film —…
The magic of cinema isn’t just about film
Going to the movies was a religious experience
The genius of stop-motion wizard Ray Harryhausen
Claudia Massie explores the cinematic majesty and mind-bending visual trickery of stop-motion wizard Ray Harryhausen
Would be much better without Bill or Ted: Bill & Ted Face the Music reviewed
I think I am supposed to say that Bill & Ted Face the Music, the third in a franchise about…
Worth catching the virus for: Saint Frances reviewed
Two films about young women this week, one at the cinema, if you dare, and one to stream, if you…
Drive-in cinemas are back – but for how long?
Tanya Gold on the rise and fall of drive-in cinema
I want to support cinema but I have my work cut out with Love Sarah
Some cinemas have reopened, with the rest to follow by the end of the month, thankfully. But the big, hotly…
Not merely funny but somehow also joyous: Sky One's Brassic reviewed
Danny Brocklehurst, the scriptwriter for Sky One’s Brassic, used to work for Shameless in its glory days — although if…
The director that everyone loved to hate: David Thomson interviews Peter Bogdanovich
David Thomson talks to the director about Buster Keaton, falling out of favour with Hollywood, and his mentor Orson Welles
The film that shaped my vision of the world
Joyce Marriott of Pyrton, Oxford, has written a letter to the Times on the subject of how a person’s imagination…
I’ve found the perfect family film (eventually)
As a member of Bafta, I get sent about 75 ‘screeners’ during the awards season, which is always a treat…
How could any woman fail to be won over by my new cinema room?
As Christmas approaches, fighting has broken out in the Young household. No, I’m not talking about my three boys, aged…
Quentin Tarantino on how spaghetti westerns shaped modern cinema
The movie that made me consider filmmaking, the movie that showed me how a director does what he does, how…
