Classical music
The joy of Radio 3’s Building a Library
So, you’ve fallen in love with a piece of classical music and you want to buy a recording. The problems…
Warmth, energy and gripping momentum: Stephen Hough’s Wigmore Hall residency reviewed
In the summer of 1878 Johannes Brahms finally succeeded in growing a beard. It was his third attempt. ‘Prepare your…
Beethoven wasn’t just history’s greatest composer but also one of its greatest human beings
Ludwig van Beethoven isn’t just my favourite composer: he’s my household god. There’s a bust of him on my mantelpiece.…
Beer, sweat and jockstraps: the real history of the CBSO
In childhood, the theme tune to The Box of Delights was the sound of Christmas. The melody was ‘The First…
Why 2019 has been a wonderful year
I received my Christmas present earlier than usual. It was a message sent via The Spectator from a gentleman who…
Sadistic and repellent and thrilling: Mascagni’s Iris reviewed
If you’ve ever felt that poor Madama Butterfly had a bit of a raw deal, then you really, really don’t…
Handsome and revivable but I wasn’t moved: Royal Opera’s Death in Venice reviewed
Premièred within two years of each other, Luchino Visconti’s film and Benjamin Britten’s opera Death in Venice both take Thomas…
Meet the unrivalled Sun King of early music, William Christie
It’s morning in the garden of William Christie, and he’s talking about home improvements. ‘I planted three pines up there…
Why are Haydn’s operas so lousy? La fedelta premiata reviewed
There’s a book about musicals that every opera lover should read. Not Since Carrie by Ken Mandelbaum is a history…
How a City lawyer conquered the hardest piano work ever written
Charles-Valentin Alkan played the piano faster than Liszt and louder than Chopin. The dying Pole left instructions that only Alkan…
In his new piano concerto Thomas Ades’s inspiration has completely dried up
There’s nothing like a good piano concerto and, sad to relate, Thomas Adès’s long-awaited first proper attempt at the genre…
Malcolm Arnold was a traumatised wreck of a man at his death but his music was joyous!
Never meet your heroes, they say. But if you grew up with classical music in the 1980s, there was fat…
Everything you always wanted to know about classical music but were afraid to ask
Novelist, essayist, painter, poet, composer. Oh yes, and pianist: Stephen Hough does all of these things very well — and…
Simon Rattle’s Messiaen is improving with age
Two flutes, a clarinet and a bassoon breathe a chord on the edge of silence. As they fade, the sound…
The rude, ripe tastelessness of John Eliot Gardiner’s Berlioz is the perfect antidote to Haitink’s Instagram Bruckner
Conducting is one of those professions — being monarch is perhaps another — where the less you do, the more…
Why did the Soviets not want us to know about the pianist Maria Grinberg?
Only four women pianists have recorded complete cycles of the Beethoven piano sonatas: Maria Grinberg, Annie Fischer, H. J. Lim…
Needed a shot of Stolichnaya: The Tchaikovsky Project reviewed
Grade: B+ I’m not sure about ‘Projects’. Aren’t those what ageing rockers produce, in a haze of sedatives, when their…
Why this première felt important: James MacMillan’s Fifth Symphony reviewed
All symphonies were sacred symphonies, once. Haydn began each day’s composition with a prayer, and ended every score with the…
Bracing and provocative – but would Wagner have approved? Arcola’s Rheingold reviewed
When it comes to the opening of Wagner’s Das Rheingold, Mark Twain probably put it as well as anyone: ‘Out…
A sonic masterclass: the Silesian String Quartet at Wigmore Hall reviewed
Of all the daft notions about the classical music business, the daftest is that it’s a business at all. Seriously:…
Testosterone and passion: Royal Opera’s Marriage of Figaro reviewed
Another turn around the block for David McVicar’s handsome 1830s Figaro at the Royal Opera — the sixth since the…
Easily the best thing I’ve seen at the Grange Festival: Falstaff reviewed
‘Tutto nel mondo e burla’ sings the company at the end of Verdi’s Falstaff — ‘All the world’s a joke’…
This concert proves it is time to take Michael Tippett seriously
In Oliver Soden’s new biography of Michael Tippett, he describes how Tippett wanted to open his Fourth Symphony with the…
Hearing Gilbert & Sullivan on period instruments was a revelation
‘I consider that music is, by its very nature, essentially powerless to express anything at all,’ wrote Stravinsky in one…
Why was Something Understood cut?
It was never given the choicest slot in the schedule, airing first thing on Sunday morning with a repeat at…
