Classical music
The marvel of Mozart’s letters
It’s 1771, you’re in Milan, and your 14-year-old genius son has just premièred his new opera. How do you reward…
The best recordings of my favourite Passion
In the autumn of 1632, a man called Kaspar Schisler returned home to the small Bavarian town of Oberammergau. He…
Why do Radio 3 presenters adopt the tone stupid adults use when addressing children?
Anyone who has listened regularly to Radio 3 over the decades — not to mention the Third Programme, which Radio…
The joy of Haydn's string quartets – here are the best recordings
As Joseph Haydn was getting out of bed on the morning of 10 May 1809, a cannonball landed in his…
Bleak humour, resourcefulness and wit: Budapest Festival Orchestra’s Quarantine Soirées reviewed
There’s a certain merit in bluntness. ‘Quarantine Soirées’ was what the Budapest Festival Orchestra called its response to the crisis,…
Bigamists, lunatics and adventurers: the raucous world of 19th century British music
The world of 19th-century British music was raucous, but are there any masterpieces waiting to be rediscovered? wonders Richard Bratby
If your instinct is to undermine Beethoven, you’re directing the wrong opera: Fidelio reviewed
‘People may say I can’t sing,’ said the soprano Florence Foster Jenkins, ‘but no one can ever say I didn’t…
Inspired programming and a proper celebration: Barbican's Beethoven Weekender reviewed
Beethoven wears a feather boa and pink shades. He wrangles an electric guitar. A red lightning flash streaks across that…
The joy of Radio 3’s Building a Library
So, you’ve fallen in love with a piece of classical music and you want to buy a recording. The problems…
Warmth, energy and gripping momentum: Stephen Hough’s Wigmore Hall residency reviewed
In the summer of 1878 Johannes Brahms finally succeeded in growing a beard. It was his third attempt. ‘Prepare your…
Beethoven wasn’t just history’s greatest composer but also one of its greatest human beings
Ludwig van Beethoven isn’t just my favourite composer: he’s my household god. There’s a bust of him on my mantelpiece.…
Beer, sweat and jockstraps: the real history of the CBSO
In childhood, the theme tune to The Box of Delights was the sound of Christmas. The melody was ‘The First…
Why 2019 has been a wonderful year
I received my Christmas present earlier than usual. It was a message sent via The Spectator from a gentleman who…
Sadistic and repellent and thrilling: Mascagni’s Iris reviewed
If you’ve ever felt that poor Madama Butterfly had a bit of a raw deal, then you really, really don’t…
Handsome and revivable but I wasn’t moved: Royal Opera’s Death in Venice reviewed
Premièred within two years of each other, Luchino Visconti’s film and Benjamin Britten’s opera Death in Venice both take Thomas…
Meet the unrivalled Sun King of early music, William Christie
It’s morning in the garden of William Christie, and he’s talking about home improvements. ‘I planted three pines up there…
Why are Haydn’s operas so lousy? La fedelta premiata reviewed
There’s a book about musicals that every opera lover should read. Not Since Carrie by Ken Mandelbaum is a history…
How a City lawyer conquered the hardest piano work ever written
Charles-Valentin Alkan played the piano faster than Liszt and louder than Chopin. The dying Pole left instructions that only Alkan…
In his new piano concerto Thomas Ades’s inspiration has completely dried up
There’s nothing like a good piano concerto and, sad to relate, Thomas Adès’s long-awaited first proper attempt at the genre…
Malcolm Arnold was a traumatised wreck of a man at his death but his music was joyous!
Never meet your heroes, they say. But if you grew up with classical music in the 1980s, there was fat…
Everything you always wanted to know about classical music but were afraid to ask
Novelist, essayist, painter, poet, composer. Oh yes, and pianist: Stephen Hough does all of these things very well — and…
Simon Rattle’s Messiaen is improving with age
Two flutes, a clarinet and a bassoon breathe a chord on the edge of silence. As they fade, the sound…
The rude, ripe tastelessness of John Eliot Gardiner’s Berlioz is the perfect antidote to Haitink’s Instagram Bruckner
Conducting is one of those professions — being monarch is perhaps another — where the less you do, the more…
Why did the Soviets not want us to know about the pianist Maria Grinberg?
Only four women pianists have recorded complete cycles of the Beethoven piano sonatas: Maria Grinberg, Annie Fischer, H. J. Lim…
Needed a shot of Stolichnaya: The Tchaikovsky Project reviewed
Grade: B+ I’m not sure about ‘Projects’. Aren’t those what ageing rockers produce, in a haze of sedatives, when their…
