contemporary music
Our neglect of this great working-class British composer is a disgrace
One of the greatest choral symphonies of the 20th century, entitled Das Siegeslied (Psalm of Victory), has been heard only…
Thank god for bored wives: Lady Macbeth of Mtsensk at the ENO reviewed
‘Kiss me, Sergei! Kiss me hard! Kiss me until the icons fall and split!’ sings Katerina Ismailova, adulterous antiheroine of…
There's a good reason why there are no great female composers
Last week a 17-year-old girl forced the Edexcel exam board to change its A-level music syllabus to include the work…
Why are we so silent over Hiroshima?
It’s 70 years since the bombs were dropped on Hiroshima and Nagasaki and yet there has been no rush to…
Why plotting a sound map of London is impossible
It’s easy to tag the city’s terrain by writer. But what, wonders Philip Clark, might a map of its music look like?
New works at the Proms that some would rather dernière than première
This year the Proms are to stage 21 world premières and 11 European, UK or London premières. It is good…
Is this the greatest piano work of the 21st century?
The award of a knighthood to the composer James MacMillan will have ruined last weekend for lots of unsavoury people:…
Hans Werner Henze: the Ed Miliband of opera
We opera critics love gazing into crystal balls. We’re particularly good at discovering Ed Milibands and backing them to the…
Half-brilliant, half-bewildering: Peter Pan at Welsh National Opera reviewed
In Beryl Bainbridge’s novel An Awfully Big Adventure the producer Meredith Potter issues a doughty injunction on the subject of…
Classical music doesn't need to change. It just needs more performers like Barbara Hannigan
What classical music really needs is more performers like Barbara Hannigan. Philip Clark meets theself-conducting soprano
Alice in Wonderland at the Barbican reviewed: too much miaowing
Charles Lutwidge Dodgson loved little girls. He loved to tell them stories, he loved to feed them jam, he loved…
