David Hockney

Diary

27 May 2023 9:00 am

Hockney’s Rake’s Progress remains one of the supreme achievements

20 November 2021 9:00 am

With Glyndebourne’s The Rake’s Progress, the show starts with David Hockney’s front cloth. The colour, the ingenuity, the visual bravura:…

The joy of socially distanced gallery-going

11 July 2020 9:00 am

Not long after the pubs, big galleries have all started to reopen, like flowers unfolding, one by one. The timing…

How John Constable got masterpiece after masterpiece out of a tiny corner of rural Suffolk

6 June 2020 9:00 am

John Constable’s paintings of a tiny corner of rural Suffolk teach us to see the beauty on our doorstep, says Martin Gayford

‘I think I’ve found a real paradise’: David Hockney interviewed

24 April 2020 11:00 pm

Martin Gayford talks to David Hockney about life in the Norman countryside under quarantine, how the iPad is better than paint and brush, and why he is not a communist

A letter from Vincent van Gogh to his younger brother Theo, dated 28 October 1883

‘Lock him in a motel & he’d do something astonishing’: Hockney on the genius of Van Gogh

23 February 2019 9:00 am

Being in the south of France obviously gave Vincent an enormous joy, which visibly comes out in the paintings. That’s…

‘Majesty’, 2006, by Tacita Dean

Intelligent, poetic and profound: Tacita Dean at the National and National Portrait galleries

24 March 2018 9:00 am

Andy Warhol would probably have been surprised to learn that his 1964 film ‘Empire’ had given rise to an entire…

‘The Japanese’ by Hans Makart, 1870–75

Fickle fortune

23 September 2017 9:00 am

Here’s an intriguing thought experiment: could Damien Hirst disappear? By that I mean not the 52-year-old artist himself — that…

'Lion Hunt', 1861, by Eugène Delacroix

Galleries are getting bigger - but is there enough good art to put in them?

2 January 2016 9:00 am

Martin Gayford recommends the exhibitions to see — and to avoid — over the coming year

‘May Day’, 1866, by Julia Margaret Cameron

Julia Margaret Cameron: the Leonardo of photography

21 November 2015 9:00 am

Ruskin dismissed Julia Margaret Cameron’s photographs as untrue. But, argues Martin Gayford, the same could be said of any picture

With rain threatening, Jane Bennet departs for Netherfield — with her mother’s approval. Illustration by Hugh Thomson for Pride and Prejudice (1894)

Rain, shine and the human imagination — from Adam and Eve to David Hockney

12 September 2015 9:00 am

‘Pray don’t talk to me about the weather, Mr Worthing,’ pleads Gwendolen in The Importance of Being Earnest. ‘Whenever people…

‘Turning Road (Route Tournante)’, c.1905, by Paul Cézanne

I can’t stop thinking about the Courtauld’s Unfinished exhibition

15 August 2015 9:00 am

A while ago, David Hockney mused on a proposal to tax the works of art stored in artists’ studios. ‘You’d…

Art has ceased to be beautiful or interesting — but we are more obsequious than ever to artists

16 May 2015 9:00 am

Two ambitious volumes of interviews with artists have just been published. They are similar, but different. The first is by…

‘The Life Room’, 1977–80, by John Wonnacott

The death of the life class

6 December 2014 9:00 am

‘Love of the human form’, writes the painter John Lessore, ‘must be the origin of that peculiar concept, the Life…

David Hockney at work in his studio, c.1967

David Hockney interview: ‘The avant-garde have lost their authority’

22 November 2014 9:00 am

David Hockney talks to Martin Gayford about 60 years of ignoring art fashion

Has the rake progressed?

28 June 2014 9:00 am

Hogarth’s A Rake’s Progress has been a rich resource for artists. Film-makers recognise his modern moral subjects as an ancestor…

Christopher Sykes’s diary: David Hockney, Bridlington lobster, and the risks of a third martini

6 July 2013 9:00 am

I began my week with a trip to Bridlington, the closest seaside town to my childhood home. ‘Brid’, as it’s…