Eno

Scottish Opera could have a hit on its hands with this new Mikado

14 May 2016 9:00 am

You have to be quite silly to take Gilbert and Sullivan seriously. But even sillier not to. G&S is still…

Glenn Close as Norma Desmond in ‘Sunset Boulevard’

I didn’t enjoy it but I couldn’t help loving it: Sunset Boulevard reviewed

9 April 2016 9:00 am

Sunset Boulevard is a tale of fractured glory with Homeric dimensions. The movie presents Hollywood as a never-ending Trojan War…

Naked ambition: Anthony Roth Costanzo in Philip Glass’s ‘Akhnaten’

In a world full of zombie new operas, thank god for Philip Glass’s Akhnaten

12 March 2016 9:00 am

A mixed year so far for new opera. A few really dismal things have appeared from people who should know…

Choristers from the English National Opera (Photo: Getty)

ENO must go

27 February 2016 9:00 am

Last week Darren Henley, chief executive of Arts Council England, revealed that opera receives just under a fifth of the…

Norma at the ENO (Photo: Alastair Muir)

Long live ENO!

27 February 2016 9:00 am

The three most moving, transporting death scenes in 19th-century opera all involve the respective heroines mounting a funeral pyre —…

What does it take to have someone declared dead? £480, for a start

13 February 2016 9:00 am

Matters of life and death Lord Lucan is now officially presumed dead. How do you have someone declared dead? In…

World-weary rather than carefree: Peter Coleman-Wright as Papageno

Life-enhancing achievement: ENO's Magic Flute reviewed

13 February 2016 9:00 am

Centre stage, there’s an industrial-looking black platform, secured by cables. The Three Ladies snap the unconscious Tamino on a mobile…

Anna Devin as Alcina and Nick Pritchard as Ruggiero in ‘La Liberazione di Ruggiero’ at Brighton Early Music Festival

Has there ever been a better time to be a lover of Baroque opera?

28 November 2015 9:00 am

Time was when early music was a 6 p.m. concert, Baroque began with Bach and ended with Corelli’s Christmas Concerto,…

ENO’s production of ‘The Force of Destiny’ has a large, fidgety set and a projection of a vast horse’s head

That Force of Destiny isn’t a great evening is the fault of Verdi not ENO

14 November 2015 9:00 am

The Force of Destiny, ENO’s latest offering to its ‘stakeholders’, as its audiences are now called thanks to Cressida Pollock,…

Please let's have more musicals like this Kiss Me, Kate at Opera North

10 October 2015 9:00 am

Opera North’s new production of Cole Porter’s masterwork Kiss Me, Kate has been so widely and justly praised that I…

ENO’s Queen of Spades: I wanted to grab David Alden’s production by the neck and shake out its silly clutter

13 June 2015 9:00 am

The opera director David Alden has never been one to tread the straight and narrow. Something kinky would emerge, I’m…

Dressing up for the opera is not elitist

13 June 2015 9:00 am

It’s June, and the country-house summer opera festivals are now in full swing. Glyndebourne, which opened the season last month,…

Stéphanie d’Oustrac (Carmen) and Pavel Cernoch (Don José) in ‘Carmen’ at Glyndebourne

Was Glyndebourne right to revive Donizetti's Poliuto? No, says Michael Tanner

30 May 2015 9:00 am

It’s been a busy operatic week, with a nearly great concert performance of Parsifal in Birmingham on Sunday (reviewed by…

Do you see me laughing? Mike Leigh’s Pirates of Penzance at the ENO reviewed

16 May 2015 9:00 am

Forget the pollsters and political pundits — English National Opera called it first and called it Right when it programmed…

ENO's Between Worlds at the Barbican reviewed: too respectful

18 April 2015 9:00 am

This week, some 200 years since Goya’s ‘The Disasters of War’, almost 80 years after Picasso’s ‘Guernica’, and over 50…

Blunt and bloody: ENO's Sweeney Todd reviewed

4 April 2015 9:00 am

A wicked deception is sprung in the opening moments of this New York-originated concert staging of Stephen Sondheim and Hugh…

Miriam Gross’s diary: Why use Freud and Kurt Weill to promote Wagner?

7 March 2015 9:00 am

Last week I went to the exhilarating English National Opera production of Wagner’s The Mastersingers — five hours of wonderful…

ENO's Indian Queen reviewed: Peter Sellars's bold new production needs editing

7 March 2015 9:00 am

When is an opera not an opera? How much can you strip and peel away, or extend and graft on…

You can’t force low-income people to go to an art gallery or the theatre if they don’t want to

28 February 2015 9:00 am

I went last week to see the justly praised production of Wagner’s The Mastersingers at English National Opera, and I…

Starry night: Iain Patterson as Sachs and Andrew Shore as Beckmesser in a triumphant ‘Mastersingers of Nuremberg’

Mastersingers of Nuremberg, ENO, review: ‘a triumph’

14 February 2015 9:00 am

ENO’s new production of Wagner’s The Mastersingers of Nuremberg is a triumph about which only the most niggling of reservations…

Why we should say farewell to the ENO

7 February 2015 9:00 am

It’s easy to forget what a mess of an art form opera once was. For its first 100 years it…

Too worthy? Peter Sellars’s staging of John Adams’s ‘Gospel’

ENO’s Gospel According to the Other Mary: great music weighed down by a worthy staging

29 November 2014 9:00 am

Terrorism; East-West diplomacy; nuclear war: John Adams’s operas have poured music into the faultlines of 21st-century global politics, and the…

Anna Netrebko as Lady in Verdi’s ‘Macbeth’, Metropolitan Opera

Met Opera Live's Macbeth: Netrebko's singing stirred almost as much as her décolletage

1 November 2014 9:00 am

This season of live Met relays got off to a most impressive start, with an electrifying account of Verdi’s tenth…

ENO’s The Girl of the Golden West is irresistibly seductive

11 October 2014 9:00 am

Puccini’s La fanciulla del West is, one suspects, one of those works that modern audiences struggle to keep a straight…

Alice Coote and Sarah Tynan in ‘Xerxes’ at ENO

Royal Opera's Rigoletto: your disbelief may wobble but your excitement won't

4 October 2014 9:00 am

One of the greatest tests of how an opera house is functioning is the quality of its revivals. Both the…