Gerhard Richter
Huge, impersonal canvases designed for the walls of billionaires: Tate Modern’s Capturing the Moment reviewed
‘Photography has arrived at a point where it is capable of liberating painting from all literature, from the anecdote, and…
Tate Modern’s latest show feels like it’s from another planet
‘Some day we shall no longer need pictures: we shall just be happy.’ — Sigmar Polke and Gerhard Richter, 1966…
Are rugs becoming the new must-have art objects?
Tapestries once had a place of honour in fine art, but that was during the Middle Ages and the Renaissance.…
