Hollywood
Identity politics is in retreat in Hollywood
‘Diversity is woven into the very soul of the story.’ If those words of praise from a rave review in…
Dark days in Hollywood: Mercury Pictures Presents, by Anthony Marra, reviewed
Summer is a time for blockbusters and Anthony Marra has delivered the goods with Mercury Pictures Presents, a sweeping book…
The magic of black and white films
He is a rich English lord with a very large house and his wife is a beautiful American with a…
The art of the witty riposte
One hundred or so years ago, a down-in-the-dumps Joseph Roth wrote to Stefan Zweig: ‘The barbarians have taken over.’ Later…
Oscars diary: a jaw-dropping night
Oscar week is intense – and it’s been a while since it’s been as intense. The red carpet is full…
Could today’s Hollywood stars have made it in ancient Greece?
The Oscar frenzy spent, it is worth reflecting on how easy writers and actors have it these days. The ancient…
How to save the Oscars
This Sunday’s Academy Awards will be a litmus test of whether Hollywood can uncouple itself from the political agenda of…
Hollywood, fist-fights and getting cancelled: Joan Collins and Taki in conversation
Joan Collins and Taki on golden Hollywood, fist-fights and getting cancelled
Why I was labelled a bitch: Joan Collins remembers the old Hollywood days
Readers of this magazine will have enjoyed Joan Collins’s diaries, and her Past Imperfect was one of the funniest showbiz…
Lumpily scripted and poorly plotted: Cry Macho reviewed
Clint Eastwood is 91; Cry Macho may well be his last film. Or maybe not. He has, after all, been…
My literary heroes have led me astray
Gstaad Good manners aside, what I miss nowadays is a new, intelligent, finely acted movie. Never have I seen…
The genius of Basic Instinct
Our occasional series on cinema’s most underrated films arrives at what many have considered the peak of misogynistic trash. We’re…
Return to LA Confidential: Widespread Panic, by James Ellroy, reviewed
Even by James Ellroy’s standards, the narrator of his latest novel is not a man much given to the quiet…
A nicer side of Nero
New York I haven’t felt such shirt-dripping, mind-clogging wet heat since Saigon back in 1971. The Bagel is a steam…
A Shakespeare play at the Globe whose best features have nothing to do with Shakespeare
Back to the Globe after more than a year. The theatre has zealously maintained its pre–Covid staffing levels. On press…
Why Mick Jagger is an insult to rock
New York Orthodox Easter Sunday came late in May this year, and I spent it at an old friend’s Fifth…
Audiences don’t want woke: comic-book writer Mark Millar interviewed
James Delingpole talks to comic-book writer Mark Millar about the joy of Catholicism, our sorry lack of male action figures and his childhood superpower
Is it time to cancel Sophocles?
Gstaad The sun has returned, the snow is so-so, and exercise has replaced everything, including romance. What a way to…
From bad joke to 21st-century classic: the best recordings of Korngold’s Violin Concerto
Erich Korngold was what you might call an early adopter. As a child prodigy in Habsburg Vienna, he’d astonished the…
Gina Carano and the hypocrisy of Hollywood
Godwin’s Law has become a way of life in our polarised political times. Go on social media any given day…
Even I, a bitter and cynical middle-aged woman, felt stirred: Sylvie’s Love reviewed
Sylvie’s Love is an exquisitely styled, swooning, old-school, period Hollywood romance and while it has been described as ‘glib’ in…
Wistful thinking: Mr Wilder & Me, by Jonathan Coe, reviewed
Mr Wilder & Me is not in any way a state- of-the-nation novel — and thank goodness. Brilliant as Jonathan…
The genius of stop-motion wizard Ray Harryhausen
Claudia Massie explores the cinematic majesty and mind-bending visual trickery of stop-motion wizard Ray Harryhausen
My nights of passion with Juliette Gréco
Gstaad Juliette Gréco’s recent death in her nineties brought back some melodramatic memories. In 1957 Gréco was one of France’s…