landscapes
The genius of Cezanne
Pity the poor curators of major exhibitions struggling to find fresh takes on famous masters. The curators of Tate Modern’s…
Fresh and dreamy: Edward Lear, at Ikon Gallery, reviewed
‘It seems to me that I have to choose between 2 extremes of affection for nature… English, or Southern… The…
Watcher of the skies: John Constable, painter and meteorologist
Philip Hensher describes how John Constable’s energy and imagination freed British art from the constraints of the past
This radical Nativity is also one of the great whodunnits of art history
Martin Gayford on a radical Nativity that is the subject of one of the great whodunnits of art history
His final paintings are like Jackson Pollocks: RA's Late Constable reviewed
On 13 July 1815, John Constable wrote to his fiancée, Maria Bicknell, about this and that. Interspersed with a discussion…
Glorious: Bernardo Bellotto at the National Gallery reviewed
What is the National Gallery playing at? Why, in this summer of stop-start tropical storms, is the NG making visitors…
An immensely rich show – though it consists of only two paintings: Rubens at the Wallace Collection reviewed
‘When pictures painted as companions are separated,’ John Constable wisely observed, ‘the purchaser of one, without being aware of it,…
How John Constable got masterpiece after masterpiece out of a tiny corner of rural Suffolk
John Constable’s paintings of a tiny corner of rural Suffolk teach us to see the beauty on our doorstep, says Martin Gayford
‘I think I’ve found a real paradise’: David Hockney interviewed
Martin Gayford talks to David Hockney about life in the Norman countryside under quarantine, how the iPad is better than paint and brush, and why he is not a communist
The artist more fond of flowers and vegetables than people – and who can blame him
I have occasionally mused that there is plenty of scope for a Tate East Anglia — a pendant on the…
The public are quite right to love Monet
Think of the work of Claude Monet and water lilies come to mind, so do reflections in rippling rivers, and…
Nikolai Astrup - Norway’s other great painter
The Norwegian artist Nikolai Astrup has been unjustly overshadowed by Edvard Munch. But that is about to change, says Claudia Massie
Why is the garden absent in English painting?
One of the default settings of garden journalists is the adjective ‘painterly’ — applied to careful colour harmonies within a…
Climate change, Bruegel-style
The world depicted by the Flemish master is not so different from our own, says Martin Gayford
