Mark Wigglesworth
Life-enhancing achievement: ENO's Magic Flute reviewed
Centre stage, there’s an industrial-looking black platform, secured by cables. The Three Ladies snap the unconscious Tamino on a mobile…
That Force of Destiny isn’t a great evening is the fault of Verdi not ENO
The Force of Destiny, ENO’s latest offering to its ‘stakeholders’, as its audiences are now called thanks to Cressida Pollock,…
Thank god for bored wives: Lady Macbeth of Mtsensk at the ENO reviewed
‘Kiss me, Sergei! Kiss me hard! Kiss me until the icons fall and split!’ sings Katerina Ismailova, adulterous antiheroine of…
What now for ENO?
Michael Henderson wonders what direction English National Opera will now take
