Monet
Impressionism is 150 years old – this is the anniversary show to see
The time that elapsed between the fall of the Paris Commune and the opening of the first proper impressionist exhibition…
The splendour and squalor of Venice
In his celebration of Venetian art, Martin Gayford is keenly alert to the city’s spectacular contradictions
The art of the monarchy
Michael Hall on how the Queen made her mark on the Royal Collection
We're wrong to think the impressionists were chocolate boxy
One Sunday evening in the autumn of 1888 Vincent van Gogh and Paul Gauguin went for a walk. They headed…
How John Constable got masterpiece after masterpiece out of a tiny corner of rural Suffolk
John Constable’s paintings of a tiny corner of rural Suffolk teach us to see the beauty on our doorstep, says Martin Gayford
‘I think I’ve found a real paradise’: David Hockney interviewed
Martin Gayford talks to David Hockney about life in the Norman countryside under quarantine, how the iPad is better than paint and brush, and why he is not a communist
The public are quite right to love Monet
Think of the work of Claude Monet and water lilies come to mind, so do reflections in rippling rivers, and…
London calling
Madame Monet was bored. Wouldn’t you have been? Exiled to London in the bad, cold winter of 1870–71. In rented…
The link between herbaceous borders and the avant-garde
Philip Larkin once remarked that Art Tatum, a jazz musician given to ornate, multi-noted flourishes on the keyboard, reminded him…
Galleries are getting bigger - but is there enough good art to put in them?
Martin Gayford recommends the exhibitions to see — and to avoid — over the coming year
James Turrell interview: ‘I sell blue sky and coloured air’
Martin Gayford talks to the artist James Turrell, who has lit up Houghton Hall like a baroque firework display
Welcome to Japan’s best kept cultural secret: an art island with an underground museum
In his introductory remarks to the Afro–Eurasian Eclipse, one of his later suites for jazz orchestra, Duke Ellington remarked —…
Inventing Impressionism at the National Gallery reviewed: a mixed bag of sometimes magnificent paintings
When it was suggested that a huge exhibition of Impressionist paintings should be held in London, Claude Monet had his…
Snow - art’s biggest challenge
In owning a flock of artificial sheep, Joseph Farquharson must have been unusual among Highland lairds a century ago. His…
Ladies' hats were his waterlillies - the obsessive brilliance of Edgar Degas
Lucian Freud once said that ‘being able to draw well is the hardest thing — far harder than painting, as…
Who knew that Cézanne had a sense of humour?
Tourists are attracted to queues, art lovers to quietude. So while the mass of Monet fans visiting Paris line up…
