Musicals
Borderline soft porn but thrilling: Moulin Rouge! The Musical at Piccadilly Theatre reviewed
Moulin Rouge wins no marks for its storyline. A struggling Parisian theatre is bought out by an evil financier who…
A story of reflection and self-discovery: Anaïs Mitchell's new album reviewed
Any artist who has habitually written or performed in character — from David Bowie to Lady Gaga — eventually arrives…
Why? Spielberg's remake of West Side Story reviewed
When you first hear that a remake of West Side Story is on the cards, it’s: God, why? Why would…
The forgotten story of the pioneering surgeon who healed disfigured airmen
Lloyd Evans on a musical that tells the story of the pioneering maverick whose methods for treating disfigured second world war airmen revolutionised plastic surgery
Every MP must see this play: Value Engineering – Scenes from the Grenfell Inquiry reviewed
Scenes from the Grenfell Inquiry is a gripping, horrifying drama. Nicolas Kent and Richard Norton-Taylor have sifted through the public…
If it were any better, it would actually be a terrible pity: Diana – The Musical reviewed
This week, an excellent film (Moving On) and a film that isn’t at all, but is entirely worth it as…
How the British musical conquered the world
A new musical history is being written for Britain, says Nicola Christie
Sexist, classist and pro-global warming: Frozen, at Theatre Royal Drury Lane, reviewed
Frozen the musical declares war on woke politics. The 2013 Disney movie has been turned into a song-and-dance show that…
The history of the Theatre Royal Drury Lane is the theatrical history of England
The newly renovated Theatre Royal Drury Lane has seen it all and staged it all, says Robert Gore-Langton
The best theatre podcasts
All the world’s on stage again so where to go to for insight into what to see and why? Podcasts,…
Zips along with enormous vim: Malcolm Arnold's The Dancing Master reviewed
Malcolm Arnold composed his opera The Dancing Master in 1952 for BBC television. It never appeared, the problem being the…
There's the kernel of a good show in this copycat Hamilton: Treason the Musical reviewed
Copycat Hamiltons are everywhere. Lin-Manuel Miranda led the way by turning an unexamined corner of history into a smash-hit show.…
Even Adrian Lester's sweetness, grace and nobility can't rescue Almeida's Hymn
The Almeida is fighting back against lockdown with a sprawling family drama about two long-lost siblings. Adrian Lester plays Gilbert…
Finally a lockdown drama that will endure: James Graham's Bubble reviewed
Theatres can open if they want to. That’s the current position. The only factor keeping a playhouse dark is a…
The jackboot zealotry of ushers is ruining theatre
Southwark Playhouse has revived an American show, The Last Five Years, whose run was cancelled in March. In advance, I…
An investor should snap up this weepy musical: Sleepless reviewed
It has roughly the same proportions as Shakespeare’s Globe. The Roman Theatre in Verulamium (St Albans) is an atmospheric ruin…
From riveting Hitchockian melodrama to bigoted drivel: BBC’s Unprecedented reviewed
Back to the West End at last. After a four- month lay-off, I grabbed the first available chance to catch…
Theatres can now reopen – but they will resemble prison camps
Auditoriums can now reopen — but they will resemble prison camps, says Lloyd Evans
As a lyricist, Ian Dury had few equals in the 20th century
The National Theatre’s programme of livestreamed shows continues with the Donmar’s 2014 production of Coriolanus starring Tom Hiddleston. The play…
Unimpressive: The Prince of Egypt reviewed
The Prince of Egypt is a musical adapted from a 1998 Dreamworks cartoon based on the Book of Exodus. So…
Sweeping, sod-you comedy – irresistible: Billionaire Boy reviewed
Falling In Love Again features two of the 20th century’s best-known sex athletes. Ron Elisha’s drama covers a long drunken……
An astonishing treat: Dear Evan Hansen at the Noël Coward Theatre reviewed
Dear Evan Hansen, by Steven Levenson, opens as a standard American teen-angst musical. Evan is a sweaty geek with a…
West Side Story’s flick-knife-to-the-guts thrill never landed its final blow
It was as though Damien Hirst had confessed a secret passion for Victorian watercolours, or Lars von Trier had admitted…
A cartoonish look at migration: Europe at the Donmar reviewed
Europe. Big word. Big theme. It was used by David Greig as the title of his 1994 play about frontiers…
Can an Offenbach production be too silly? Garsington’s Fantasio reviewed
The tears of a clown have often fallen on fertile operatic ground. Think of Rigoletto and I Pagliacci; or The…
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