Orchestra of the Age of Enlightenment

To die for: Grange Park Opera’s Tristan & Isolde reviewed

17 June 2023 9:00 am

There are a lot of corpses on stage at the end of Charles Edwards’s production of Tristan & Isolde for…

Perfect English songs in fresh new colours: Roderick Williams sings Butterworth

27 February 2021 9:00 am

Another week, another online concert; and since orchestral music seems likely to be confined to screens and stereos for a…

Why orchestras are sounding better than ever under social-distancing

12 September 2020 9:00 am

Our college choirmaster had a trick that he liked to deploy when he sensed that we were phoning it in.…

An overcooked blowout: Glyndebourne’s Die Zauberflöte reviewed

27 July 2019 9:00 am

Think back to when you were 12, and the sensation of re-opening your favourite book. (This is The Spectator; I’m…

Richard Ayres' The Garden at the Queen Elizabeth Hall. Image: © Mark Allan

Hearing Gilbert & Sullivan on period instruments was a revelation

27 April 2019 9:00 am

‘I consider that music is, by its very nature, essentially powerless to express anything at all,’ wrote Stravinsky in one…

Philipp Fürhofer's handsome and often ingenious designs for the Royal Opera's overcomplicated new production of The Queen of Spades. Photo: ROH 2018 / Catherine Ashmore

Never quite pivots from thesis to drama: Royal Opera’s Queen of Spades reviewed

19 January 2019 9:00 am

We increasingly accept the collision between life and art. Whether we’re puzzling over the real identity of Elena Ferrante, choosing…

Richard Strauss (image: Getty)

Salon Strauss

21 October 2017 9:00 am

An opera without singers, a Strauss orchestra of just 16, and an early music ensemble playing Mahler: welcome to the…

Time to end authenticity

12 August 2017 9:00 am

They say the first step towards recovery is admitting that you have a problem. So I’m staging an intervention and…

Why are symphony orchestras expected to survive indefinitely?

1 August 2015 9:00 am

Watching the Berlin Philharmonic going into conclave to choose a successor to Simon Rattle — after countless hours of secret…

An abundance of spectacle: Iestyn Davies as David, with Sophie Bevan as Michal

Startling and sublime - even the candles got a round of applause: Glyndebourne’s Saul reviewed

1 August 2015 9:00 am

Caius Gabriel Cibber’s statues of ‘Melancholy’ and ‘Raving Madness’, their eyes staring blindly into the void, petrified in torment, once…

Forget the Germans. It’s the French who made classical music what it is

6 December 2014 9:00 am

The poor French. When we think of classical music, we always think of the Germans. It’s understandable. Instinctive. Ingrained. But…

Christopher Hogwood: the absolutist of early music

4 October 2014 9:00 am

The death of Christopher Hogwood has deprived the world of the most successful exponent of early music there has ever…