Proms
A lockdown masterpiece and the Jessica Rabbit of concertos: contemporary classical roundup
So it finally happened: I experienced my first vocal setting of the word ‘Covid’. An encounter that was, inevitably, more…
Opera della Luna is a little miracle: Curtain Raisers at Wilton’s Music Hall reviewed
Arthur Sullivan knew better than to mess with a winning formula. ‘Cox and Box, based on J. Maddison Morton’s farce…
The central performances are tremendous: Glyndebourne's Luisa Miller, reviewed
Opera buffs enjoy their jargon. We all do it, scattering words like ‘spinto’ and ‘Fach’ like an enthusiastic pizza waiter…
Ecstasy from Birmingham Opera Company: Wagner's RhineGold reviewed
At the end of Birmingham Opera Company’s RhineGold, as the gods stood ready to enter Valhalla, Donner swung a baseball…
Affectionate and unthreatening, just like usual: Last Night of the Proms reviewed
The Last Night of the Proms came and went, and it was pretty much as anyone might have predicted, if…
Why orchestras are sounding better than ever under social-distancing
Our college choirmaster had a trick that he liked to deploy when he sensed that we were phoning it in.…
Our Belarusian blind spot
I’d always rather liked the Finns, until I came across the conductor Dalia Stasevska. When I asked my mother what…
Andrew Marr: Scotland is slipping away from the Union
Staying in Britain for the summer has been, in many ways, entirely glorious. We have zigzagged from Shropshire through Derbyshire…
The BBC tradition of trying to remove patriotic songs from Last Night
About Last Night It was suggested that the BBC might ‘decolonise’ the Last Night of the Proms by removing ‘Rule,…
Swanky, stale and sullen, the summer music festival has had its day
The summer music festival has had its day, says Norman Lebrecht
The rude, ripe tastelessness of John Eliot Gardiner’s Berlioz is the perfect antidote to Haitink’s Instagram Bruckner
Conducting is one of those professions — being monarch is perhaps another — where the less you do, the more…
Often baffling but ultimately entertaining: Britten’s Paul Bunyan reviewed
‘I feel I have learned lots about what not to write for the theatre…’ There’s a prevailing idea that the…
The gentle side of Bruckner
The lady behind me on Kensington Gore clearly felt that she owed her friend an apology: ‘It’s Bruckner. I don’t…
The Budapest Festival Orchestra make all other orchestra look routine and oafish
Looney Tunes was always at its best when soundtracked by a Hungarian gypsy dance. (Watch ‘Pigs in a Polka’ if…
A Beggar’s Opera that beggars belief in Edinburgh
Robert Carsen’s new updating of The Beggar’s Opera is a coke-snorting, trash-talking, breakdancing, palm-greasing, skirt-hiking, rule-breaking affair — and every…
Music’s Brexit
It’s October 1895 and the spirit of Music has been absent from Britain for exactly 200 years. Why she fled,…
An embarrassing and misshapen dud: Opera Holland Park’s Isabeau reviewed
I’ve been trying to pinpoint the exact moment when it became impossible to take Mascagni’s Isabeau seriously. It wasn’t when…
The marketisation of BBC radio is a recipe for creative disaster
There’s been a lot of fuss and many column inches written about levels of pay at the BBC, as revealed…
Bowled over by Bruckner
The two Proms concerts given on consecutive evenings by the Royal Concertgebouw Orchestra were well planned: a short opening work,…
Gustav Mahler
When I began listening to music seriously, in about 1950, I had read about Mahler but wasn’t able to hear…
If you want to know how music really works listen to Classic FM not Radio 3
He’s been billed as the new Pied Piper but it’s going to take a while for Tom Service to quite…
Orchestral conductors would be much better if they tried performing Renaissance music
To be honest, my friendship with Michael Tilson Thomas hasn’t gone quite as I had hoped. It started in February…
Why are symphony orchestras expected to survive indefinitely?
Watching the Berlin Philharmonic going into conclave to choose a successor to Simon Rattle — after countless hours of secret…
Tony Hall’s diary: the Proms, my walking obsession, and why the BBC is like James Bond
There’s nothing quite like a First Night — and last Friday we launched the Proms, the most celebrated classical music…
The Proms is taxpayers’ money well spent: it’s a national asset like fish and chips and the royal baby
Make no mistake: the Proms, whose 2015 season was launched last night, would not, could not, exist without the BBC,…
