Radio
A beautiful radio adaptation: Radio 4’s The Housing Lark reviewed
Nineteen fifty-six: the Suez crisis, the first Tesco, Jim Laker takes 19 wickets in a match. But also: Trinidadian pianist…
The most important book on black Britishness has one flaw: its author was white
Can people of one race really understand the experience of another? asks Colin Grant
BBC sports coverage is becoming unwatchable
BBC sports coverage is becoming unwatchable
The Archers is a masterclass in how not to write a monologue
If you’ve been listening to The Archers lately, you’ll know how tedious monologues can be. The BBC has received so…
Hats (and knickers) off to the hosts: The Naked Podcast reviewed
I spent half an hour this week listening to a woman make a plaster cast of her vulva. Kat Harbourne,…
Why haven’t podcasts cracked the recipe for audio drama?
In Beeb-dominated Britain, the commercial triumph of podcasting — epitomised by Spotify’s recent £100 million deals with Joe Rogan and…
The festivalisation of TV
Televising Glastonbury has changed the festival, and in turn transformed television, says Graeme Thomson
Adapting Wodehouse for the radio is a challenge – but the BBC has succeeded brilliantly
Everyone knows a Lord Emsworth. Mine lives south of the river and wears caterpillars in his hair and wine on…
I've lost patience with podcasts and their presenters
‘To be recognised and accepted by a peregrine,’ wrote J.A. Baker in 1967, ‘you must wear the same clothes, travel…
Why do Radio 3 presenters adopt the tone stupid adults use when addressing children?
Anyone who has listened regularly to Radio 3 over the decades — not to mention the Third Programme, which Radio…
Ill-disciplined and self-indulgent: The Guilty Feminist podcast reviewed
With theatres shut, radio must lighten the darkness. The Guilty Feminist is a wildly popular podcast performed by Deborah Frances-White…
Why do writers enjoy walking so much?
Writers like walking. When people ask us why, we say it’s what writers do. ‘Just popping out to buy a…
The joy of Radio 3’s Building a Library
So, you’ve fallen in love with a piece of classical music and you want to buy a recording. The problems…
Radio 4's new H.P. Lovecraft adaptation will give you the chills
Of all the many things I’ve learned from the radio so far this decade, the most deranging is that the……
How podcasts have transformed radio
As if on cue, Lemn Sissay’s new series for Radio 4 tackles all those questions we would rather ignore in…
Why everyone loves Dolly Parton
When her musical 9 to 5 opened at the Savoy Theatre earlier this year, Dolly Parton stayed at the Savoy…
The pleasures and perils of talking about art on the radio
‘I like not knowing why I like it,’ declared Fiona Shaw, the actress, about Georgia O’Keeffe’s extraordinary blast of colour,…
The Polish electronic music revolution of the 1950s
It was created in November 1957, a year before the BBC’s fabled Radiophonic Workshop, and was far more influential in…
Why I love a bit of death on a Sunday night
There’s nothing like a nice bit of death on a Sunday evening. Radio 4 originally transmit their obituary programme Last…
From Brexit to Beethoven: John Humphrys returns to radio
Some listeners will have had quite a shock first thing on Monday. Turning on at six to Classic FM they…
Can giving voice to the horrors of the past re-traumatise?
It is 50 years since Ronald Blythe published Akenfield, his melancholy portrait of a Suffolk village on the cusp of…
Without Joe Grundy The Archers feels lost
There was something really creepy about listening to the ten-minute countryside podcast released last weekend by Radio 4 supposedly transporting…
Did Radio 2 really need to give us four days of the Beatles to celebrate Abbey Road?
This Changeling Self, Radio 4’s lead drama this week, clearly ought to have gone out in August. It’s set —…
Radio 4’s The Art of Innovation is a series that — for once — deserves the label ‘landmark’
Radio 4, how do I love thee? Rather as one loves the flocked wallpaper that came with the house. It…
The joys of Radio 4’s Word of Mouth
I first heard Lemn Sissay talking about his childhood experiences on Radio 4 in 2009. At that time he was…
