Radio
An important story but not for the faint-hearted: Deadliest Day podcast reviewed
One of the advantages that podcasts have over the scheduled array of programmes is the space that can be given…
Jonathan Dimbleby is right: we need to rise up and defend the BBC
There’s been a Dimbleby on air since before I was born but last Friday saw the end of that era…
What drives Emily Maitlis?
It can’t be easy to find yourself on the other end of the microphone when you’re a journalist of the…
What Mary Wollstonecraft writes about motherhood is still so relevant
Walking into Fingal’s Cave, after scrambling across the rocks to reach it from the landing stage where the boat from…
Are the Dead Ringers audience told to laugh?
Nine on a Thursday morning is University Hour for those of us who don’t commute to an office every day.…
What would you do if you were a Syrian migrant?
‘Put yourself in their shoes,’ says Zahra Mackaoui, a British-Lebanese journalist who has been following the stories of refugees from…
Forget the The Reith Lectures. To understand the world listen to George the Poet
At last a podcast that takes the medium to its limit, created by someone who loves listening, understands how it…
The mosque where it’s the men who make the tea
On returning from a brief trip to Istanbul, where inside the mosques women are still very much kept to one…
Female contestants in Afghanistan’s X Factor are dicing with death
The cheering fans, the dramatic Hollywood-style drum rolls, the excitable host all sound just like The X Factor or The…
Why do we still use the Qwerty keyboard layout and not Dvorak?
‘Can you fly down this evening?’ she was asked by her boss in the Delhi office of the BBC. ‘Yes,…
Why was Something Understood cut?
It was never given the choicest slot in the schedule, airing first thing on Sunday morning with a repeat at…
The daunting, uplifting prose of The Psalms
As if in defiance of the BBC’s current obsession with programming designed to entice in that elusive young and modish…
The man who changed the sound of radio
He is said to ‘have changed the sound of speech radio’, not just by giving voice to those who until…
Art is often best experienced on the radio
At its best audio can be a much more visual medium than the screen. Making Art with Frances Morris (produced…
Listening to plays in a foreign language is a weirdly engaging experience
As the ravens circle around Broadcasting House in London’s West End, presaging difficult times ahead for BBC Radio, with less…
Is the increasing secularisation of funerals a good thing?
‘You’re thinking these girls all wrong,’ Miss Mai tells Enid in Winsome Pinnock’s play Leave Taking, adapted from the recent…
Scala Radio is a real threat to Radio 2
It’s not surprising given the way that electronic communication has taken over so much of our daily business, minimising human…
I always come away more confused after listening to Moral Maze
Is it me or are we now faced (or perhaps I should say fazed?) much more often by stories in…
Why wasn’t Poetry Please in the Radio Times’s top 30 greatest radio shows of all time?
With the upsurge of listeners to Classic FM (now boasted to be 5.6 million listeners each week) and the imminent…
Danny Dyer is not so much an actor as a fairground attraction: Pinter Seven reviewed
The Dumb Waiter is a one-act play from 1957 that retains an extraordinary hold over the minds of theatre-goers. It’s…
The story of the River Clyde
It sounds like something out of Dickens or a novel by Thackeray, a classic case of high-minded Victorian philanthropy, but…
The attempt to bring back topicality to Ambridge has been far too effective
It’s becoming clear that the travails afflicting all the major players in The Archers, Radio 4’s flagship drama, are intended…
Zoë Ball has the voice and warmth but not so much the chat
Whether by accident or design, Zoë Ball took over the coveted early-morning slot on Radio 2 this week just as…