Robin Ticciati

Neither Tristan nor Isolde quite convinced: Glyndebourne's Tristan und Isolde reviewed

21 August 2021 9:00 am

Glyndebourne is nothing if not honest. ‘In response to the ongoing Covid-19 restrictions our 2021 performances of Tristan und Isolde…

World-class music, heavily symbolic staging: Glyndebourne's Katya Kabanova reviewed

5 June 2021 9:00 am

At the first night of Glyndebourne Festival 2021 there was relief and joyful expectation as Gus Christie made his speech…

Christina Gansch as Mélisande in Pelléas et Mélisande at Glyndebourne Festival

Vexing reading of a perplexing opera: Glyndebourne’s Pelléas et Mélisande reviewed

7 July 2018 9:00 am

The femme fatale was invented in France. A giddy, greedy child in her first incarnation, as the antiheroine of Abbé…

Animal magic: François Piolino as the Frog in ‘L’enfant et les sortilèges’

Glyndebourne’s Ravel double bill comes close to perfection

15 August 2015 9:00 am

When I saw the first performance of this production of Ravel’s two operas at Glyndebourne three years ago, I thought…

Robin Ticciati interview: ‘Glyndebourne is a festival where the established and the fresh exist together’

10 May 2014 9:00 am

Michael Henderson talks to Glyndebourne’s fresh-faced new music director, Robin Ticciati