Royal academy

‘Socialist realism and pop art in the battlefield’, 1969, by Equipo Cronica

The World Goes Pop at Tate Modern - our critic goes zzzzz

19 September 2015 8:00 am

The conventional history of modern art was written on the busy Paris-New York axis, as if nowhere else existed. For…

Ai Weiwei: the perfect Asian artist for lazy western curators

22 August 2015 9:00 am

In September, the Royal Academy of Arts will present a solo exhibition of works by the Chinese artist Ai Weiwei.…

‘Marie-Anne Françoise Liotard with a Doll’, c.1744, by Jean-Etienne Liotard

The forgotten Swiss portraitist and his extraordinary pastels: Jean-Etienne Liotard at the Scottish National Gallery reviewed

8 August 2015 9:00 am

This is not the biggest exhibition at Edinburgh and it will not be the best attended but it may be…

‘Untitled (Tilly Losch)’, c.1935–38, by Joseph Cornell

Poetic or pretentious? Joseph Cornell: Wanderlust at the Royal Academy reviewed

4 July 2015 9:00 am

Someone once asked Joseph Cornell who was his favourite abstract artist of his time. It was a perfectly reasonable question…

Royal Academy’s Summer Exhibition reviewed: a jumble sale with pizzazz

6 June 2015 9:00 am

The Royal Academy Summer Exhibition has very little in common with the Venice Biennale. However they do share one characteristic.…

Richard Diebenkorn at the Royal Academy reviewed: among the best visual evocations of LA there are

21 March 2015 9:00 am

It is true that, like wine, certain artists don’t travel. Richard Diebenkorn, subject of the spring exhibition in the Royal…

Weight watching: ‘Three Bathers’, c.1875, by Paul Cézanne

Rubens and His Legacy at the Royal Academy reviewed: his imitators fall short of their master miserably

31 January 2015 9:00 am

The main spring offering at the Royal Academy, Rubens and His Legacy: Van Dyck to Cézanne, teaches two useful lessons.…

‘Pan and Syrinx’, 1617, by Peter Paul Rubens

How will the British public take to Rubens’s fatties?

24 January 2015 9:00 am

Are Rubens’s figures too fat for the British to appreciate them? Martin Gayford investigates

‘Woman at Her Toilette’, 1875/80, by Berthe Morisot

2015 in exhibitions - painting still rules

3 January 2015 9:00 am

The art on show over the coming year demonstrates that we still live in an age of mighty painters, says Martin Gayford

‘Chair’, 1969, by Allen Jones, which had acid thrown on it in 1986

Does Allen Jones deserve a retrospective at the Royal Academy?

29 November 2014 9:00 am

It has been a vintage season for mannequins. At the Fitzwilliam Museum in Cambridge, an exhibition called Silent Partners looks…

The pop artist whose transgressions went too far – for the PC art world

1 November 2014 9:00 am

After years of being effectively banned from exhibiting in his own country, Allen Jones finally reaches the RA with his first major UK retrospective. Andrew Lambirth meets him

Mr Turner: the gruntiest, snortiest, huffiest film of the year - and the most beautiful too

1 November 2014 9:00 am

Mr Turner may be the gruntiest film of the year, possibly the gruntiest film ever. ‘Grunt, grunt, grunt,’ goes Mr…

‘Winter Landscape (Winterlandschaft)’, 1970, by Anselm Kiefer

All my doubts about Anselm Kiefer are blown away by his Royal Academy show

11 October 2014 9:00 am

In the Royal Academy’s courtyard are two large glass cases or vitrines containing model submarines. In one the sea has…

‘Interior (Innenraum)’, 1981, by Anselm Kiefer

'I like vanished things': Anselm Kiefer on art, alchemy and his childhood

20 September 2014 9:00 am

Martin Gayford talks to a surprisingly jolly Anselm Kiefer about art and metamorphosis

‘Paul Newman’, 1964, by Dennis Hopper

Had Hollywood not lured him away, Dennis Hopper could have made his name as a photographer

19 July 2014 9:00 am

In an age when photographs have swollen out of all proportion to their significance, and are mounted on wall-sized light…

‘Prince Pig’s Courtship’ by Paula Rego

The Royal Academy Summer Exhibition offers up the good, the bad and the ugly – and a sore neck

14 June 2014 8:00 am

One of the great traditions of the RA’s Summer Exhibition has always been that each work submitted was seen in…

‘Composition With Fish’ by Jankel Adler, on show at Goldmark Gallery

The hidden, overlooked and undervalued: Andrew Lambirth’s spring roundup

10 May 2014 9:00 am

Jankel Adler (1895–1949), a Polish Jew who arrived in Glasgow in 1941, was invalided out of the Polish army, and…

‘Hercules Killing Cacus’, 1588, by Hendrik Goltzius

Upside down and right on top: the power of George Baselitz

22 March 2014 9:00 am

It’s German Season in London, and revealingly the best of three new shows is the one dealing with the most…

The best exhibition of architecture I have ever experienced

1 March 2014 9:00 am

Curtain walls, dreaming spires, crockets, finials, cantilevers, bush-hammered concrete, vermiculated rustication, heroic steel and delicate Cosmati work are all diverse…

Unmissable: ‘The Horse, the Rider and the Clown’, 1943–4, by Matisse will go on show at Tate Modern in April

Art shows you simply mustn't miss in 2014

11 January 2014 9:00 am

Andrew Lambirth reveals the treats on show in 2014

Daumier's paintings show he is at heart a sculptor

7 December 2013 9:00 am

There hasn’t been a decent Daumier exhibition in this country for more than half a century, so art lovers have…

Is the best Australian art yet to come?

5 October 2013 9:00 am

Astonishingly, the last major survey show of Australian art in this country was mounted more than half-a-century ago. Then it…

‘Fire’s On’, 1891, by Arthur Streeton, a member of the Heidelberg School, named after a village outside Melbourne

Barry Humphries: in praise of Australian art

31 August 2013 9:00 am

A major exhibition of Australian art is about to open at the Royal Academy. Barry Humphries believes visitors will be surprised

What a painter: ‘El Paseo’, c.1938, by Edward Burra

State-sponsored cultural renaissance in revolutionary Mexico

17 August 2013 9:00 am

Revolution shook Mexico between 1910 and 1920, but radical political change was not mirrored in the art of the period.…

Is Richard Rogers still a rebel?

27 July 2013 9:00 am

‘Lounge suit’ is normally a reliable signifier of supine gentility. But there it was on the invitation to Richard Rogers’s…