Royal ballet

The nymphs are hit and miss, but Osipova is a witty, multifaceted Sylvia: the Royal Ballet’s Sylvia reviewed

16 December 2017 9:00 am

You can pay homage to a ballet classic or you can tear it up and reinvent it. Both approaches were…

Reducing the lead to an demented rape victim is just what ballet needs: The Wind reviewed

18 November 2017 9:00 am

A kindly cowboy, an East Coast bride, adultery, murder and madness. The Wind, Dorothy Scarborough’s 1925 Texas gothic novel (and…

Wayne’s world

28 October 2017 9:00 am

Ballet would have been an obvious revenue stream for Sadler’s Wells when it reopened back in 1998 but straight-up classics…

Dancers of the Royal Ballet in Christopher Wheeldon’s Alice’s Adventures in Wonderland

Pretty vacant

7 October 2017 9:00 am

Alice is at it again. Christopher Wheeldon’s 2011 three-act ballet began another sell-out run at Covent Garden last week. It’s…

Victoria Sibson as Bertha Mason and Javier Torres as Edward Rochester in Cathy Marston’s ‘Jane Eyre’

Northern Ballet has triumphed with Brontë: Jane Eyre reviewed

4 June 2016 9:00 am

The difference between a poor ballet of the book (see the Royal Ballet’s Frankenstein) and a good one — indeed…

Vile body: Steven McRae as the Creature in ‘Frankenstein’

The Royal Ballet is literally losing the plot

21 May 2016 9:00 am

If a football manager produces a string of losses, the writing is on the wall and out he goes. He’s…

A feast of Mexicanismo: Tamara Rojo as Frida Kahlo in ‘Broken Wings’

Does Tamara Rojo really think female choreographers are being stifled by sexism?

23 April 2016 9:00 am

Tamara Rojo programmed three female choreographers for her English National Ballet spring bill because, she said, she had never danced…

A new dance piece in which race definitely matters: Ballet Black’s Triple Bill reviewed

2 April 2016 9:00 am

Ballet’s romantic mantra could be summed up by John Keats’s ballad ‘La Belle Dame sans Merci’, in which a young…

Fallen woman: Natalia Osipova as Amélie Gautreau

Wheeldon’s new ballet lacks guts: Royal Ballet’s Strapless reviewed

20 February 2016 9:00 am

How could it possibly go wrong? The magnetic, seething Russian star Natalia Osipova playing the tragic woman in John Singer…

Gorgeous, visionary sights from Akram Khan at the Roundhouse

6 February 2016 9:00 am

How much of a compromise does a fashionable choreographer loved by all have to make with his paymasters? When he’s…

We’re entering a new era for dance - expect big ballets with big stories

16 January 2016 9:00 am

Dance has its own archaeological periods, and 2016’s schedules are confirming what 2015 indicated — that the era of dances…

Is Twitter now in charge of the Royal Ballet’s artistic programming?

5 December 2015 9:00 am

For all the billing and cooing on public forums about the Royal Ballet’s The Two Pigeons revival, there’s a silent…

Carlos Acosta’s incoherent Carmen is a disaster

7 November 2015 9:00 am

The love that asks no questions, the love that pays the price… The amount of unconditional love sloshing about at…

This Juliet needs a new Romeo

29 October 2015 9:00 am

You always remember your first time, don’t you? And in ballet one imagines that Juliet wants to remember her first…

The best ballerinas in Britain at the moment are hairy and male

3 October 2015 9:00 am

There was blood on the walls and floor at the birth of Kenneth MacMillan’s Romeo and Juliet in 1965. The…

Sylvie Guillem, in savage-child tunic and a Mowgli wig, says farewell to her fans

Is that Sylvie Guillem? Or R2-D2? Guillem's farewell dance at Sadler’s Wells reviewed

6 June 2015 9:00 am

There’s been a clutch of middle-aged danseuses taking leave of life in one way or another recently. We’ve seen the…

Rapture - and loathing: Woolf Works at the Royal Ballet reviewed

23 May 2015 9:00 am

People have been saying that Wayne McGregor’s new Woolf Works has reinvented the three-act ballet, but not so. William Forsythe…

Vadim Muntagirov and Laura Morera in ‘La Fille mal gardée’

La Fille mal gardee at the Royal Opera House reviewed: light, lithe and tender

25 April 2015 9:00 am

The current talking-point at the Royal Ballet is the Russians milling around. One can sound unfortunately as if one’s starting…

Birmingham Royal Ballet review: A Father Ted Carmina Burana

4 April 2015 9:00 am

We ballet-goers may be the most self-deceiving audiences in theatre. Put a ‘new work’ in front of us and half…

Wings of desire: film still of Natalia Makarova and Anthony Dowell in ‘Swan Lake’, 1980

Will the real Swan Lake please stand up

21 February 2015 9:00 am

Ismene Brown unpicks the great enigma of ballet theatre

London International Mime Festival review: on juggling, dance and Wayne Rooney's hair transplant

31 January 2015 9:00 am

January is something of a palate-cleanser for the year, as the London International Mime Festival flies in plane-loads of companies…

ENB’s Swan Lake: the rights and wrongs of ballet thighs

17 January 2015 9:00 am

There’s been heated disagreement over the past week about what’s right and wrong. Is the rocket-propelled ex-Bolshoi enfant terrible Ivan…

Better than Leslie Caron: Leanne Cope (Lise) and the company in ‘An American in Paris’

An American in Paris: a zingy new Wheeldon dance-musical that you won’t want to miss

3 January 2015 9:00 am

A new year must start with hope and resolution, and if you’re very rich, with influence in the highest places,…

Sensual but not thrilling: Carlos Acosta as Basilio

Royal Ballet’s Don Quixote: Carlos Acosta is too brainy with this no-brain ballet

13 December 2014 9:00 am

One feels the pang of impending failure whenever the Royal Ballet ventures like a deluded Don Quixote into a periodic…

‘This era’s supreme objet d’art’: Sylvie Guillem in 1985, aged 19, in her Paris Opera dressing-room

Sylvie Guillem interview: ‘A lot of people hate me. Bon. You can’t please everybody’

15 November 2014 9:00 am

On the eve of her retirement, Sylvie Guillem talks to Ismene Brown about legs, boobs and changing people’s lives