social realism
Four dangerous visionary writers
Simon Ings examines the lives of Maxim Gorky, Maurice Barrès, Gabriele D’Annunzio and Ding Ling, whose propagandism helped shape – and misshape – the 20th century
Colourful, tender and sweet, grounded in magical rather than social realism: Scrapper reviewed
Scrapper is a film about a working-class kid who, after her mother dies, has to look after herself. I know…
Joan Eardley deserves to be ranked alongside Bacon and de Kooning
Claudia Massie on the unjustly neglected artist Joan Eardley, who deserves to be ranked alongside Auerbach, Bacon and de Kooning
A hard watch, but ultimately a rewarding one: County Lines reviewed
County Lines is the kind of social realism that the British do so well, if not too well. In other…
My knuckles went pure white and have yet to return to full colour: Custody reviewed
Custody is both social realism and a thriller and it’s terrific. It is smart, beautifully acted, never crass about the…
Tate Modern’s latest show feels like it’s from another planet
‘Some day we shall no longer need pictures: we shall just be happy.’ — Sigmar Polke and Gerhard Richter, 1966…
