Toby Stephens
A beautiful, frustrating bore: Florian Zeller's The Forest, at Hampstead Theatre, reviewed
The Forest is the latest thriller from the French dramatist Florian Zeller, translated by Oscar winner Christopher Hampton. It’s a…
Circus routine rather than theatre: Noises Off reviewed
Michael Frayn’s backstage comedy, Noises Off, is the theatre’s answer to Trooping the Colour. Everyone agrees that it’s an amazing…
Speech therapy
Oslo opened in the spring of 2016 at a modest venue in New York. It moved to Broadway and this…
The problem with Believe is you simply won’t believe any of it - unless you’re a child
The trouble with Believe is that, unless you are ten years old or under, which I’m assuming you are not,…
Private Lives at the Gielgud: Spot the sexual tension between Anna Chancellor and Toby Stephens
It’s always a problem with Macbeth: what accents to use? The Globe is applying the traditional remedy. Lord and Lady…
