Usher Hall
The mayhem ‘Born Slippy’ provoked felt both poignant and cathartic: Underworld, at Usher Hall, reviewed
On the same night Underworld played the second of two shows at the Usher Hall, next door at the Traverse…
A joy – mostly: Nick Mason’s Saucerful of Secrets, at Usher Hall, reviewed
Drummers are patient chaps, in the main. Think of Ringo in Peter Jackson’s recent Beatles docuseries, Get Back. Lolling around…
Why this première felt important: James MacMillan’s Fifth Symphony reviewed
All symphonies were sacred symphonies, once. Haydn began each day’s composition with a prayer, and ended every score with the…
West Side Story’s flick-knife-to-the-guts thrill never landed its final blow
It was as though Damien Hirst had confessed a secret passion for Victorian watercolours, or Lars von Trier had admitted…
Bracing and provocative – but would Wagner have approved? Arcola’s Rheingold reviewed
When it comes to the opening of Wagner’s Das Rheingold, Mark Twain probably put it as well as anyone: ‘Out…
An exalted experience even without a convincing central character: Siegfried in Edinburgh reviewed
There’s one big problem with Wagner’s Siegfried, and the clue’s in the name. None of Wagner’s mature works hangs so…
Opera in Edinburgh: even the best Stravinsky can’t beat mediocre Mozart
Is Stravinsky’s The Rake’s Progress anything more than an exercise in style? ‘I will lace each aria into a tight…
Mariinsky’s Les Troyens — a bad night for Berlioz and Edinburgh
I wonder whether grand opéra really takes war as seriously as this year’s Edinburgh Festival wanted it to. These vast…
