visual art

‘North Cape’, probably 1840s, by Peder Balke

We must never again let this 19th century Norwegian master slip into oblivion

6 December 2014 9:00 am

You won’t have heard of Peder Balke. Yet this long-neglected painter from 19th-century Norway is now the subject of a…

‘Chair’, 1969, by Allen Jones, which had acid thrown on it in 1986

Does Allen Jones deserve a retrospective at the Royal Academy?

29 November 2014 9:00 am

It has been a vintage season for mannequins. At the Fitzwilliam Museum in Cambridge, an exhibition called Silent Partners looks…

David Hockney at work in his studio, c.1967

David Hockney interview: ‘The avant-garde have lost their authority’

22 November 2014 9:00 am

David Hockney talks to Martin Gayford about 60 years of ignoring art fashion

Why radio is a surprisingly good medium for talking about art

22 November 2014 9:00 am

You might think it a fool’s errand to attempt programmes about art on the wireless. How can you talk about…

‘Before the Mirror’, 1913, by Egon Schiele

Egon Schiele at the Courtauld: a one-note samba of spindly limbs, nipples and pudenda

8 November 2014 9:00 am

One day, as a student — or so the story goes — Egon Schiele called on Gustav Klimt, a celebrated…

The pop artist whose transgressions went too far – for the PC art world

1 November 2014 9:00 am

After years of being effectively banned from exhibiting in his own country, Allen Jones finally reaches the RA with his first major UK retrospective. Andrew Lambirth meets him

Alan Beeton, ‘Reposing’, 1929

The secret world of the artist's mannequin

1 November 2014 9:00 am

A 19th-century London artists’ supplier named Charles Roberson offered imitation human beings for sale or rent, with papier-mâché heads, soft…

Mr Turner: the gruntiest, snortiest, huffiest film of the year - and the most beautiful too

1 November 2014 9:00 am

Mr Turner may be the gruntiest film of the year, possibly the gruntiest film ever. ‘Grunt, grunt, grunt,’ goes Mr…

Finding his feet: ‘Untitled (man and two women in a pastoral setting)’, 1940

How Rothko become the mythic superman of mystical abstraction

1 November 2014 9:00 am

Mark Rothko was an abstract artist who didn’t see himself as an abstract artist — or at least not in…

James Delingpole falls in love with Grayson Perry - and almost comes round to Chris Huhne

1 November 2014 9:00 am

I love Grayson Perry. You might almost call him the anti-Russell Brand: a genuinely talented artist who also has some…

Russians made the theatre space the most liberating imaginative device ever invented

1 November 2014 9:00 am

You have to hand it to the Russians. They beat us into space, beat us to sexual equality, and a…

‘Winter Landscape (Winterlandschaft)’, 1970, by Anselm Kiefer

All my doubts about Anselm Kiefer are blown away by his Royal Academy show

11 October 2014 9:00 am

In the Royal Academy’s courtyard are two large glass cases or vitrines containing model submarines. In one the sea has…

‘Water-meadows near Salisbury’, 1829/30, by John Constable

Curator-driven ambitions mar this Constable show at the V&A

4 October 2014 9:00 am

The V&A has an unparalleled collection of hundreds of works by John Constable (1776–1837), but hardly anyone seems to know…

‘Interior (Innenraum)’, 1981, by Anselm Kiefer

'I like vanished things': Anselm Kiefer on art, alchemy and his childhood

20 September 2014 9:00 am

Martin Gayford talks to a surprisingly jolly Anselm Kiefer about art and metamorphosis

‘Moonrise and Pale Dancer’ by Derek Hyatt

The man who brought Cubism to New York

20 September 2014 9:00 am

The American Jewish artist Max Weber (1881–1961) was born in Belostok in Russia (now Bialystok in Poland), and although he…

Ellie Harrison’s cannons — poised to usher in a ‘Socialist Republic of Scotland’

How independence will impoverish Scottish culture

13 September 2014 9:00 am

Daniel Jackson foresees an impoverished cultural landscape for an independentScotland, with artists forced to do Salmond’s bidding