Shadows and reflections have always triggered all sorts of fantasies. Theatre itself, in the words of many playwrights and theorists, is nothing but a game of shadows. Today, filmic and computer-generated or manipulated projections have taken the place of what was once cleverly done with candles and mirrors. Indeed, projections seem to have become a distinctive and annoyingly trendy trademark of contemporary theatre, for they seem to pop up everywhere, more or less appropriately.