Tapestries once had a place of honour in fine art, but that was during the Middle Ages and the Renaissance. Oil paintings, for a time, were viewed as the poor man’s tapestry. Now, that equation may be turning round.
‘Tapestries serve a lot of purposes,’ said Donald Farnsworth, president of Magnolia Editions, which has produced tapestries for artists such as Chuck Close, April Gornik, Alex Katz, Ed Moses, Gerhard Richter, Kiki Smith, William Wiley and others.
Already a subscriber? Log in
Black Friday sale
Subscribe today and get 10 weeks of The Spectator Australia for just $1
- Unlimited access to spectator.com.au and app
- The weekly edition on the Spectator Australia app
- Spectator podcasts and newsletters
- Full access to spectator.co.uk
Unlock this article
You might disagree with half of it, but you’ll enjoy reading all of it. Try your first month for free, then just $2 a week for the remainder of your first year.
Comments
Black Friday sale
Subscribe today and get 10 weeks of The Spectator Australia for just $1
SUBSCRIBEAlready a subscriber? Log in